Blaise Pascal Quotes
We think very little of time present; we anticipate the future, as being too slow, and with a view to hasten it onward, we recall the past to stay it as too swiftly gone. We are so thoughtless, that we thus wander through the hours which are not here, regardless only of the moment that is actually our own.
Quotes to Explore
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Do not suffer pain and torment without reason. Somebody All-Powerful and All-Compassionate owns everything. Rely on His Power and do not accuse His Compassion. Renounce grief and anxiety ad accept relief. Be rid of your troubles and find serenity.
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I was a go-go dancer at the Dom on East 10th Street in NYC. This was a glittering ballroom over Stanley's Bar. 1965.
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Drama school introduced me to a world I had no idea about. I wasn't brought up in a literary household at all.
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I was thinking about it: so many of my stories are about my family life, not about being related to a lot of famous people. That's my grandma, that's my mama, my daddy, my aunt, my uncle, my stepdaddy. I'd probably tell them even if they weren't well known.
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All I know is stars and hits, you know what I mean? I don't just sign a guy because he has a hot record. I sign a guy because he's a star. He's a pillar of the community.
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I'm not afraid to die - it's just that I had so much left to do in this world.
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I've always thought Juliette Lewis was great.
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I hadn't thought that women were particularly dangerous golfers. Could that be the reason that the Augusta National Golf club refuses to take down its 'No Women Allowed' sign?
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Hollywood needs to recognise all shades of African American beauty.
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In orthodox film-making, you never shoot sequentially - but with improv, obviously every move you make has a knock-on effect; it is a cumulative process. I have improvised, on the non-scripted 'Timecode.' It can become entirely indulgent: actors smashing crockery and competing verbally.
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I don't think good and evil are polarized.
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I think if one wants to be in a continual state of insanity one should stay married to that writing partner.
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There are some people who leave impressions not so lasting as the imprint of an oar upon the water.
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I like boys. I am not foreign; I was born and raised in Hickory County, Mo.
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Playing tough characters just comes easy for me. It's not who I am in real life, so I love going to work and pretending to be something I'm not. I love all the action and confidence. But when I finally go do a rom-com, I hope my fans will support me.
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I'm just totally into being strong. There's something about wanting to get a jar or whatever out of a high cupboard, or moving a sofa over because my dog's bone rolled under it, and not having to call anyone for help. There's comfort in that.
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My co-winners, Peter Diamond and Christopher Pissarides, and I wish to thank the Royal Swedish Academy of Sciences and the Nobel Foundation for this very great honor. We each feel privileged and humbled to be named the winners of the 2010 Sveriges Riksbank Prize in Economic Sciences in Memory of Alfred Nobel.
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If you think the system - not you - but if your viewers think that the current political system is working well and serving the interest of our country, then what we're doing will not be attractive.
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Music I can discover a part of myself that I haven't been able to for a long time, and acting is the opposite. I'm in love with both of them and I would never choose one over the other.
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Whatever extra there is in me at any given moment isn't fully formed. I am hardly aware of it; it awaits the next book. It will - with luck - come to me during the actual writing, and it will take me by surprise.
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I don't believe in luck. Luck is just preparation meeting the moment of opportunity.
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We're talking about the Olympics. We're talking about trying to win the gold medal. All of these things can be overwhelming. But regardless of whether I win a gold medal or never compete again, I just have to trust that God has a plan for my life and I'm called to be His representative through the sport and outside of the sport.
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Photography has always been about documentary, the depiction of the instant, a moment, sometimes a place. Each project is somehow an experimentation of a specific context or a character.
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We think very little of time present; we anticipate the future, as being too slow, and with a view to hasten it onward, we recall the past to stay it as too swiftly gone. We are so thoughtless, that we thus wander through the hours which are not here, regardless only of the moment that is actually our own.
