Octavio Paz Quotes
The modern tradition is the tradition of revolt. The French Revolution is still our model today: history is violent change, and this change goes by the name of progress. I do not know whether these notions really apply to art.
Quotes to Explore
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Let us not be so naive as to think that revolution is just a matter of social or economic discontent.
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It's not enough to train today's workforce. We also have to prepare tomorrow's workforce by guaranteeing every child access to a world-class education.
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I have been fighting climate change for two decades, and people often ask me how I remain hopeful in the face of extreme weather and grim forecasts. The answer is simple: I see countless solutions spreading across the nation and across the world. But we need more investment.
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The ultimate vision is to instate in the Muslim world the notion of multiculturalism, which is part of our heritage and history, part of the fundamental, mainstream ideals of Islam.
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The priesthood is a marriage. People often start by falling in love, and they go on for years without realizing that love must change into some other love which is so unlike it that it can hardly be recognized as love at all.
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Let us sacrifice our today so that our children can have a better tomorrow.
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As a former English major, I have always been fascinated by the connections between literature and history.
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The world of fiction is a sovereign world that comes to life in the author's head and follows the rules of art, of literature. And that is the major difference that is reflected in the form of the work, in its language and its plot. An author invents every aspect of a fiction, every detail.
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There was no United States before slavery. I am sure somebody can make some sort of argument about modern French identity and slavery and North Africa, but there simply is no American history before black people.
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The reason I decided to run for Senate is one of my responsibilities as governor is to make sure that the voices of our people and our small businesses in New Hampshire are heard in Washington and that we continue to make the type of progress we're making here at the state level; we need that same type of response and progress in Washington.
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Here's the thing, for me at least: this is a huge genre now. It wasn't always so. Not so many years ago, it wasn't so. There is a tremendous diversity in fantasy today.
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We will do everything to change what needs to be changed, fight against recession so that the country meets its targets, while reinforcing our country in the heart of the euro and the European Union.
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I think it is often easier to make progress on mega-ambitious dreams. Since no one else is crazy enough to do it, you have little competition. In fact, there are so few people this crazy that I feel like I know them all by first name.
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The American Dream is that any man or woman, despite of his or her background, can change their circumstances and rise as high as they are willing to work.
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The record business is dangerous to the health of bands and individuals, which is something I'm just now learning. But it's not dangerous in any of the ways people think; it's not that they try to make you compromise your art. That's not the problem.
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I'm not going to change the world overnight. It's one person at a time, and hopefully they're people in positions of power who can help people get in those roles and really, truly embrace colorblind casting.
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I really like all of the characters in 'The Secret History' by Donna Tartt, especially Camilla, the one girl. I find her fascinating.
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The terrifying and edible beauty of Art Nouveau architecture.
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In the India I was growing up in, history wasn't really a wise career option. People would joke and say, 'History's okay, but what's your actual job?' I didn't come from a privileged background and couldn't afford to be irresponsible, so I did the pragmatic thing and did a MBA.
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I feel a lot of cities are like, you go and you are trying to do your art, and there are so many other artists there who are so brilliant. And it's kind of like they stomp on the scene, and they are like, "You're not already Picasso? Get the hell out of here!" And Memphis is like, "Well, you'll get there one day!"
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The way I approach things is from an experimental folk music standpoint.
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Sir, I am no sycophant or worshipper of power anywhere.
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I start off my morning with an Acai berry smoothie. I blend the Acai berries with kefir, blueberries, protein powder and peanut butter. I like this first thing in the morning because it's light on my stomach.
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The modern tradition is the tradition of revolt. The French Revolution is still our model today: history is violent change, and this change goes by the name of progress. I do not know whether these notions really apply to art.
