Octavio Paz Quotes
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Poetry is not a genre in harmony with the modern world; its innermost nature is hostile or indifferent to the dogmas of modern times, progress and the cult of the future.
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Deserve your dream.
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Technology is neutral and sterile. Now, technology is the nature of modern man; it is our environment and our horizon. Of course, every work of man is a negation of nature, but at the same time, it is a bridge between nature and us. Technology changes nature in a more radical and decisive manner: it throws it out.
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The American: a titan enamored of progress, a fanatical giant who worships "getting things done" but never asks himself what he is doing nor why he is doing it.
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The object of poetic activity is essentially language: whatever his beliefs and convictions, the poet is more concerned with words than with what these words designate.
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Man, it seems to me, is not in history: he is history.
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What sets worlds in motion is the interplay of differences, their attractions and repulsions; life is plurality, death is uniformity.
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To love is to battle, to open doors, to cease to be a ghost with a number forever in chains, forever condemned by a faceless master; the world changes if two look at each other and see.
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Drugs are nihilistic: they undermine all values and radically overturn all our ideas about good and evil, what is just and what is unjust, what is permitted and what is forbidden.
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The Mexican succumbs very easily to sentimental effusions, and therefore he shuns them.
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No one is alone, and each change here brings about another change there.
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Poems - crystallizations of the universal play of analogy, transparent objects which, as they reproduce the mechanism and the rotary motion of analogy, are waterspouts of new analogies.
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Literature is the expression of a feeling of deprivation, a recourse against a sense of something missing. But the contrary is also true: language is what makes us human. It is a recourse against the meaningless noise and silence of nature and history.
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The minority of Mexicans who are aware of their own selves do not make up a closed or unchanging class. They are the only active group, in comparison with the Indian-Spanish inertia of the rest, and ever day they are shaping the country more and more into their own image.
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The work of art is always unfaithful to its creator... Art lays at a higher level; it says something more, and almost always, it says something different from what the artist wanted to say.
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Modern man likes to pretend that his thinking is wide-awake. But this wide-awake thinking has led us into the mazes of a nightmare in which the torture chambers are endlessly repeated in the mirrors of reason.
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As it defines itself, every society defines other societies. That definition almost always takes the form of a condemnation: the 'other' is the barbarian.
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Walt Whitman is the only great modern poet who does not seem to experience discord when he faces his world. Not even solitude - his monologue is a universal chorus.
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The first deaths will barely swell the daily count, and no one in the statistics bureau will notice that extra zero. But after a while everyone will begin to look at each other and ask: what's happening? Because for months doors and windows are going to rattle, furniture and trees will creak.
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We go along, without a fixed itinerary, yet at the same time with an end (what end?) in mind, and with the aim of reaching the end. A search for the end, a dread of the end: the obverse and the reverse of the same act.
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And to fill all these white pages that are left for me with the same monotonous question: at what hour do the hours end?
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Our judgment and moral categories, our idea of the future, our opinions about the present or about justice, peace, or war, everything, without excluding our rejections of Marxism, is impregnated with Marxism.
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Writers, you know, are the beggars of Western society.
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'Touch'