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By diminishing the value of silence, publicity has also diminished that of language. The two are inseparable: knowing how to speak has always meant knowing how to keep silent, knowing that there are times when one should say nothing.
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I sat at the foot of a huge tree, a statue of the night, and tried to make an inventory of all I had seen, heard, smelled, and felt: dizziness, horror, stupor, astonishment, joy, enthusiasm, nausea, inescapable attraction. What had attracted me? It was difficult to say: Human kind cannot bear much reality.
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Surrealism is not a school of poetry but a movement of liberation... A way of rediscovering the language of innocence, a renewal of the primordial pact, poetry is the basic text, the foundation of the human order. Surrealism is revolutionary because it is a return to the beginning of all beginnings.
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It is always difficult to give oneself up; few persons anywhere ever succeed in doing so, and even fewer transcend the possessive stage to know love for what it actually is: a perpetual discovery, and immersion in the waters of reality, an unending re-creation.
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Poetry, in the past, was the center of our society, but with modernity it has retreated to the outskirts. I think the exile of poetry is also the exile of the best of humankind.
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What characterizes a poem is its necessary dependence on words as much as its struggle to transcend them.
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Today we all speak, if not the same tongue, the same universal language. There is no one center, and time has lost its former coherence: East and West, yesterday and tomorrow exist as a confused jumble in each one of us. Different times and different spaces are combined in a here and now that is everywhere at once.
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A glass pitcher, a wicker basket, a tunic of coarse cloth. Their beauty is inseparable from their function. Handicrafts belong to a world existing before the separation of the useful and the beautiful.
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Watching I watch myself, what I see is my creation as though entering through my eyes perception is conception into an eye more crystal clear water of thoughts, what I watch watches me, I am the creation of what I see
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Enormous and solid but swaying, beaten by the wind but chained, murmur of a million leaves against my window. Riot of trees, surge of dark green sounds. The grove, suddenly still, is a web of fronds and branches.
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What is art? A violet. Is that all? An artistic style is a living entity, a continuous process of invention. It can never be imposed from without; born of the profoundest tendencies within a society, its direction is to a certain extent unpredictable, in much the same way as the eventual configuration of a tree's branches.
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Ruy-Sanchez's works of fiction are always amazing: adventure, poetry and intelligence in a new geometry of words... His writing has nerve and agility, his intelligence is sharp without being cruel, his mood is sympathetic without complicity.
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Cubism had been an analysis of the object and an attempt to put it before us in its totality; both as analysis and as synthesis, it was a criticism of appearance. Surrealism transmuted the object, and suddenly a canvas became an apparition: a new figuration, a real transfiguration.
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Distraction is our habitual state. Not the distraction of the person who withdraws from the world in order to shut himself up in the secret and ever-changing land of his fantasy, but the distraction of the person who is always outside himself, lost in the trivial, senseless, turmoil of everyday life.
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Power immobilizes; it freezes with a single gesture-grandiose, terrible, theatrical, or finally, simply monotonous-the variety which is life.
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The ideal of a single civilization for everyone, implicit in the cult of progress and technique, impoverishes and mutilates us
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There is nothing sacred or untouchable except the freedom to think. Without criticism, that is to say, without rigor and experimentation, there is no science, without criticism there is no art or literature. I would also say that without criticism there is no healthy society.
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If each of my words were a drop of water, you would see through them and glimpse what I feel: gratitude, acknowledgement.
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No one behind, no one ahead. The path the ancients cleared has closed. And the other path, everyone's path, easy and wide, goes nowhere. I am alone and find my way.
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Language lies outside of society because it is its foundation; but it also lies within society because that is the only place where it exists and the only place where it develops.