Anna D. Shapiro Quotes
The conversation of how you do a play is my favorite conversation in the whole wide world: what a play is, why it's different than anything else, the math of the way that human behavior has to be calibrated theatrically versus anything else.
Quotes to Explore
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It is a growing process. You can't just like beer. You have to start somewhere and learn the different flavors.
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I went back to Belfast and started a club, the Maritime. No one had thought about doing a blues club, so I was the first.
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Just as water is a key ingredient to growth on the farm, capital is required for businesses to thrive.
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Any time Khaled comes to your video, it just steps it up that much more. He's so fun; people love him.
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This quality, I mean Geoffrey was with me, was very easy doing - he loved me very much, I loved him very much, and we understood each other so well that it was a pleasure to make music.
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In the five months I wrote the final draft of 'The Association of Small Bombs,' I never fell out of the book. The world was real to me: plausible and powerful.
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I realized after writing songs for years how important it is. Whether it provides a living for me or not, that creative outlet is something I need.
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I think I really benefited from going to college.
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My room is like an antique shop, full of junk, and weird stuff. There's a big sword in there. And a taxidermy bird, and a couple of birdcages. And a lot of newspaper cuttings. I used to have a weird thing about cutting out morbid headlines from newspapers, and collecting them. I was fascinated with drowning, which is kind of strange.
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Let us all pledge to protect this opportunity in order to see that the wish of peace becomes a true and daily fact in this region.
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There have been moments in my career when I've had to be tough and I've had to step up to the plate - but usually that's because a man has underestimated me. But other than that, I wouldn't say I'm a tough person.
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I wish every woman would love herself and embrace what she was given naturally.
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My mother reads tarot cards, actually, but I won't let her read mine.
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Frankly, right is right and wrong is wrong, particularly when a parent is talking to a child. A bright line around moral responsibility is very important.
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I have too many responsibilities and principles. There's no time for 'guilty' pleasures.
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Refugees come to us seeking asylum, seeking freedom, justice and dignity - seeking a chance just to breathe. And people in our country are saying close the doors and don't let them in?
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The difficulty is capturing surprise on film.
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In the White House, you can be on the pitcher's mound or you can be in the catcher's position. Put points on the board. Show people you can govern. Deliver on what you said you were going to deliver on.
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I wouldn't not want to be a director and write as I wouldn't not to want to be a writer and direct movies.
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Oh, and Scott, get Mark to play me. He's the most talented one anyway.
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I get a lot of people saying to me, 'Oh, you're the actor who plays the nutters,' and I'm not. I'm the guy who plays human beings. I understand why the characters are doing what they're doing. When you play a villain, you don't play a villain: you play a human being doing what he thinks he needs to do to get what he wants.
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I am interested in politics but have stayed away from writing overtly political songs, or message songs, because I find it difficult to discuss politics intelligently in a 4-minute song. But I am finding there are ways to get bits and pieces of political thought across without preaching that the people have the power or we shall not be moved. Of course these sentiments have their place too - I'm not knocking Phil Ochs - but that's a different kind of music, songs to play at rallies, not to achieve a state of bliss.
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Sandeep Jauhar specializes in peeling back the veneer, revealing the discomfiting truths of today’s medical world. He is unafraid to dig deeply and honestly, both within himself and within the medical profession. Doctored raises critical questions that twenty-first-century medicine must answer if it is to meet the needs of its patients as well as of its practitioners.
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The conversation of how you do a play is my favorite conversation in the whole wide world: what a play is, why it's different than anything else, the math of the way that human behavior has to be calibrated theatrically versus anything else.
