Brian Tracy Quotes
Quotes to Explore
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Re-examining our reasoning is not something that has come naturally to American statesmen.
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But Roy Rockwood, it was science fiction for the sake of science fiction.
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I remember a tour where we played 50 cities in 56 days. We also went to Europe a couple of times.
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I never desire to converse with a man who has written more than he has read.
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No matter how you cut them, paste them, rotate them, or distort them, lip syncing and air-guitar playing are fundamentally foolish activities, and anyone seen to be engaging in them with anything approaching a straight face is, by definition, taking herself or himself much too seriously.
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I have to make little movies. I have to sit and film.
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I went to this little performing arts school in downtown Phoenix. You had to dance or act, and everyone sang in choir. I started out playing the saxophone, but I always wanted to be in an orchestra. That was a dream as a kid, and there aren't a lot of saxophones in an orchestra.
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Unquestionably, there is progress. The average American now pays out twice as much in taxes as he formerly got in wages.
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Writers shouldn't have lives that are interesting. It gets in the way of your work.
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Well into the 20th century, black people spoke of their flight from Mississippi in much the same manner as their runagate ancestors had.
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I don't look at myself as suffering.
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If science fiction is the mythology of modern technology, then its myth is tragic.
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More gold has been mined from the thoughts of men than has been taken from the earth.
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I've grown up playing for some incredible coaches, and I don't think anybody's ever been as fortunate as I have in terms of the people I've been allowed to play under, coach under, or be involved with.
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The relationship between ARMgold and Harmony continues to develop and grow.
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No flying machine will ever fly from New York to Paris.
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I can understand Communism, but not Socialism.
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It's funny: when I set out to create the world of 'California,' I didn't give the type of apocalypse much thought... I simply set my two characters, Cal and Frida, in a depleted world and moved through it intuitively.
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Even the great bad guys in cinema history, they're likable.
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I've had filmmakers, I even had Bono come and talk to me about having a sequel to 'E.T.' help with an environmental message - I listened. I can certainly understand. I mean, the great thing about Bono is that everything he does is in service to a greater cause.
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I was physically abused and I retaliated.
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Nature is bottom up. It's compelling and complex, and it fills me with joy and it's inconsistent with the top down view.
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I have always been psychic. The walls of any room I walk into talk to me.
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The comfort zone is the great enemy of courage and confidence.
