Anna Kendrick Quotes
If I could play the ukulele like Zooey Deschanel, I would find my own personal M. Ward, and we would do a side album; but I don't, you know?
Quotes to Explore
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You kind of think people get sick of you after a while, but apparently not.
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With ladder matches, you can't expect anything other than craziness.
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I tell the government, if people have no jobs, you are in trouble. Government will be in trouble. My job is to help more people have jobs.
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Everything must be carried out in extreme sobriety.
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I've got five or six unpublished stories kicking around looking for somebody to buy them.
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My husband wrote the story for my first book, but then he didn't want to do that anymore. So if I was going to go on being an illustrator, I had to start writing the stories, too.
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The vanity of men, a constant insult to women, is also the ground for the implicit feminine claim of superior sensitivity and morality.
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Guard units in the U.S. are suffering severe equipment shortages which will affect their ability to respond to emergencies in their home States, such as Katrina.
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I cry a lot, and I have no problem with that at all. Listening to your emotions is part of being alive.
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No man is rich enough to buy back his past.
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I wouldn't want to write a biography of anyone. I'd feel too inhibited by the facts and too much pressure to do the subject's life justice.
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It's not every day people fly you to New York for auditions.
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My philosophy is generally to keep things as simple as possible.
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I was 18 when I did 'The Amanda Show,' and I was 19 when I did 'MadTV,' and I was in way over my head. I was just sort of a goof who could do impressions of WB stars - speaking of the Dawson Van Der Beek era - and it was overwhelming. I don't think I've learned more faster in my life than when I worked on 'MadTV.'
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All fatherhood is very important because single mothers shouldn't have to raise sons or daughters; they need that help.
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This is magic we're talking about. It's supposed to go places science can't, defy logic, wink at technology, fill us all with the sensawunda that comes of gazing upon a fictional world and seeing something truly different from our own.
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Campaign widowhood totally suited me, and I soon began to suspect that our setup beat the bill-paying and bickering of an actual marriage.
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Characters - conventional women with minor eccentricities - flourished in our world, as Mrs. Cork had no doubt observed. But she'd failed to notice that the characters were all old, rich and pedigreed. Newcomers, especially those of moderate means, were expected to form an attractive but featureless chorus behind our few madcap divas.
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(On her work in Keep Your Powder Dry) I didn't want to do it, but they said if I did it they would give me Undercurrent with Robert Taylor. Then they gave Undercurrent to Katharine Hepburn, so I left MGM.
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An opera begins long before the curtain goes up and ends long after it has come down. It starts in my imagination, it becomes my life, and it stays part of my life long after I've left the opera house.
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We do not argue with the critic who urges that the stars are not hot enough for this process; we tell him to go and find a hotter place.
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I can't really even name a person I like in hip-hop music.
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If I could play the ukulele like Zooey Deschanel, I would find my own personal M. Ward, and we would do a side album; but I don't, you know?
