Lucy Dacus Quotes
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It seems like there's a real world for new ideas in Philly.
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I will say it is funny that writing a song about not wanting to entertain people is what got me a career in entertainment.
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If there are people who treat me wrong, I either talk to them about it, or I don't talk to them anymore. It's been the most thoughtful and considerate thing I could do for myself and other people. I am going to try to do that forever.
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I have a huge note on my phone where things just start popping up. It doesn't make that much sense to me at the time, but once a song is finished, I can read into it and figure out who the characters are in my life.
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In middle school, you're figuring out how you're affecting people, and sometimes you're affecting people negatively. And what sucks is that it can affect people for their whole lives. I didn't realize I was a part of that.
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I'm not a big risk-taker - being bad just wasn't worth my time or the risk of having the consequences for it. So maybe I'm a little bit lame for that.
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There have been a couple specific instances where I've felt like I couldn't survive without interacting with a certain person. I've been involved with some pretty manipulative people who have told me the same thought: that I can't live without them.
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My mom is an elementary school music teacher, a pianist, and a singer, and my dad plays guitar - he's a huge Bruce Springsteen fan. My mom does musical theater, too. All of those influences were around.
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When I'm on a stage, it's just me, singing a song with words that I wrote and I believe in. And if I don't believe in them anymore, I'll stop singing that song.
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My dad plays guitar in the church band, so it's like music as a service. He plays at old-people homes, so that's like music as a gift.
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I haven't studied history - I couldn't give a discourse in medieval literature - but I am a personal historian, and I do a lot to take in the histories of the people around me.
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Yo La Tengo were a major inspiration for me because they're one of the first bands that I got into on my own, separate from my parents, when I was in high school. I have all their albums. That's the place we'd like be in someday.
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I'm never writing as a character.
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It's weird to get asked questions that I don't know the answers to... But I like getting questions I don't know the answer to because maybe it's the first time I've been asked to articulate these things.
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I think in 'No Burden' there was a lot of positivity on the record.
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Really unfiltered personal writing is cool to me. I'm like, 'How did you show that to everyone?'
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I really enjoy navigating the business aspect of having a band, and there is a great amount of instinct. You don't wanna work with people who make you feel weird, even if they're super qualified.
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Even people that are close to me or people that are acquaintances... The only question I get now is, 'How is music going?' It's an overpowering quality of my life now, the fact that I write songs. It's weird to navigate what that means socially.
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I like to think of hope as a fact and something that wins out always. Whether you're hopeful or not, actually, you do get through what you're in the middle of. When you're in it, you don't feel like that's possible. But time and time again, we're proven wrong.
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I take photos, I used to make films, I journal incessantly, and I really value the documentation of life. Because it's almost like you are making something special by wanting to make it exist in an object - on paper or even just in the computer - making these recordings, making this music.
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Film is like sculpture, writing, acting, technical arts, all sorts of arts. And that's why I wanted to do it for so long, because it would include so many places for attention.
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Music was always encouraged as a passion and a hobby, but I was never told, 'This should be your job. You write music and record for a living.' It doesn't happen for people.
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Joan Didion's 'The Year of Magical Thinking' comes to mind as an example of a piece of media that I really respect and would hope to emulate: just her courage in looking at her husband's death and the attentiveness that she has in how she looks at it, and the unflinching gaze that she communicates from looking into death.
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I feel like the expectations have gone up. It's not a complaint, but it's a little intimidating. People are like, 'Oh, you're on Matador. It's kind of a legendary label - you're going to have to live up to all those other bands.' I guess it's not that explicit.