Lucy Dacus Quotes
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I was adopted, and so was my mom. And so I just was in tune with how life can be intentional. I feel like maybe that helped me to not feel super entitled to a lot of things as a kid.
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People actually tell me that I'm living my dream. And I'm like, 'It's a little more nuanced than that.'
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There is no 'stop' - there's always 'go' on both sides: always keep writing, always keep recording. I don't find them to be segmented processes.
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Before I even pick up a guitar, usually the words are done. So I'm not first and foremost a musician. I'm first and foremost a writer.
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Negativity, in general, is one of the things that holds people back, and you have to see what's holding you back to get away from it.
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That's my main complaint with Murakami: that he writes these complex males and then really static women.
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For a while, I called myself an agnostic, which was me wanting to maintain a connection to the culture I was raised in while also undercutting a lot of the beliefs I had.
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You don't have to make something in order to retain your identity as an artist or a writer or a creative person. A lot of people think they have to be producing in order to maintain that identity.
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Usually, I'll just be walking from my house to somewhere else, and melodies and words will start coming up, and I'll have to run home to write it all down.
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Questions don't easily die within me until they're answered, and so being able to write a song and put words to complex feelings is part of my process of understanding and letting go of things.
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The main way that being adopted has shaped my songwriting is that I was asked at an early age to consider the circumstances that led to my life, and in a way, I was introduced to how fragile and unlikely life is from the beginning.
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I don't end up writing songs in my journals, but I'm sure that my ability to write songs has been helped by how consistently and impulsively I try to get my life into words through the journals.
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'No Burden' is not necessarily ferocious.
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I called it 'Historian' because I feel like most of my creative efforts are efforts to capture something or to document it.
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It's important for me to write songs that feel good to sing every night and remind me of my core, truest beliefs.
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I hear a lot of artists become kinda self-referential, and a lot of people that tour a lot tend to write about the perils of being on the road later in their careers.
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I'm going to name my daughter Emily.
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Humans are fascinated with communication. I was always drawn to words and stories, staying in touch with your feelings and being open to what's around you.
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I've written in the middle of a conversation or the grocery store or at another band's concert or in the last moments before falling asleep. It's pretty unpredictable. I think it's always flowing, and sometimes I'm not listening. There's no formula for when I'm going to be able to be a good listener to myself.
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Headliners, no matter the genre, usually are a person or band who has an ethos.
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If you can come out from under pain, why wouldn't you? You definitely can. There's no question.
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A breakup is a state of mind that needs encouragement and needs hopeful, forward thinking.
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I value the people who are willing to make themselves vulnerable and share work that is sensitive and maybe even hard to sing sometimes. Because that's the music that provides the most solace and solidarity to the world.
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I heard during our label-searching that some labels hire statisticians instead of A&R people. They'll reach out to the bands that will statistically perform best monetarily instead of going out to shows and having an opinion on which music is good or bad.