Lucy Fry Quotes
Quotes to Explore
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Thomas Friedman's 'The World is Flat' sold more copies in India than in the U.K. The market for go-getting business books or wonkish tomes by corporate moguls posing as philosopher kings has grown dramatically in modernising China and India.
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The fact I even get an opportunity to make one album is crazy. But if all goes to plan, I'll get to make five albums. That'd be nice.
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'Fargo' is one of my favorite movies.
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Always just remember that you can never know all; you're always going to be learning; there's always going to be something new. I don't think you'll ever have it all figured out.
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I went to boarding school from the age of eight - first to prep school, then to Eton. One thing that kind of education teaches you is community living: there's little retreat. That's why people come out of it and talk about lifelong friendships forged in the furnace.
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What I find is that it's the middle-aged authors who have lived a life who have the most important, interesting voices. They just need someone to give them the key to unlock the door.
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Even if the songs are at times painful - 'cause some of the songs are not all roses and balloons; some of them dig into deep things that I've been going through - there's a joy that I think people feel from my music and, hopefully, from my performance because I am so in love with doing what I do.
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There's no such thing as work-life balance. There are work-life choices, and you make them, and they have consequences.
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I was in prison with the assassins of the former president of Egypt, Anwar Sadat, who was killed in 1981. Those who weren't executed in that case were given life sentences, and two of those were with me in prison.
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Off camera, I am not so quiet, I have a fun time, relaxed.
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Jihad expands Islam's domain by any means available.
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'La La Land' is about the city I live in. It's about the music that I grew up playing; it's about movies that I grew up watching. Even the big spectacle of the movie feels private to me in that way.
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It's my own personal unconscious that ultimately creates the novel's aesthetic facade.
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I am not interested in medals or titles. I don't need them. I need the love of the public and I fight for it.
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I remember taking my demo to every dance person in London. People were like, 'We don't know what this is!' The first people to champion me were a club in Manchester.
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Non combattete mai con la religione, né con le cose che pare che dependono da Dio; perché questo obietto ha troppa forza nella mente degli sciocchi.
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The museums are here to teach the history of art and something more as well, for, if they stimulate in the weak a desire to imitate, they furnish the strong with the means of their emancipation.
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Facts do not cease to exist because they are ignored.
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But the reality is that we are a folk band.
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I was a mimic when I was a child. I mimicked the teacher and made friends that way, actually. That was a very subversive activity, because I was a goody-goody who never got in trouble. But if I went off in the corner and mimicked the teacher, people loved it.
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I don't want any of my records to sound like one style throughout. That's why I choose different grooves and songs: tunes that are sensitive and slow as well as pieces that are abstract and fast. The approach I want to take with my records is to give the listener a variety of grooves, concepts, and composers.
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Faith is the antidote for fear.
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I want to be a part of the stories that need to be told.
