Ludivine Sagnier Quotes
Quotes to Explore
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The first movie I really clicked with was 'Die Hard' when I was 6 years old, which is crazy that I was watching it that young. That was the one that made me want to become an actor.
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Wisdom is the abstract of the past, but beauty is the promise of the future.
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During the decade following the discovery of the double-helical structure of DNA, the problem of translation - namely, how genetic information is used to synthesize proteins - was a central topic in molecular biology.
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A celibate clergy is an especially good idea, because it tends to suppress any hereditary propensity toward fanaticism.
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When I first got Yves Saint Laurent Couture, I didn't know how to take off a cape. I would ask Katoucha and Dalma - the real divas of the runway - 'Can you show me?' I've never been afraid to ask for help.
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Salaries and wages must reflect the reality of the enterprise's economic performance; deviations from the planned performance should be reflected in pay.
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Personally, of course it's exasperating when people think you're just swanning around in Europe, going to the occasional fashion show and then being glamorous at a party.
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Some people feel guilty about their anxieties and regard them as a defect of faith but they are afflictions, not sins. Like all afflictions, they are, if we can so take them, our share in the passion of Christ.
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Normally I don't watch myself, because I'm not very objective.
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When we're back home, I feel pretty domesticated.
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I am a scientist. Mine is a professional world that achieves great things for humanity.
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Frances Conroy - brilliant, brilliant actress.
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The atomic bomb made the prospect of future war unendurable. It has led us up those last few steps to the mountain pass; and beyond there is a different country.
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Jobs has within him sort of this conflict, but he doesn't quite see it as a conflict between being hippie-ish and anti-materialistic but wanting to sell things like Wozniak's board. Wanting to create a business.
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The men and women who occupied the east coast of North America between 1607 and 1800 have been more closely scrutinized than any other collection of people in American history.
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I prefer to underplay scenes rather than, you know, be big and drive them. And sometimes you have to do that, but I like the more natural styles.
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In theatre, you've got to make the connect with your audience in the first three minutes. If you haven't, you know you've almost lost them.
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When my daughter wanted a toy and I had to check the price of it before buying it - that was one of the worst feelings.
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There's something about that idea of looking up and hoping, and thinking, 'I'm good.' Some things, like show business, are absolutely subjective. People look at a TV show and think, 'I could do that.' And maybe they could do that. But they're not.
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I don't really approach stories to make them different from other stuff I've seen, I just try to get into the character, into his or her head. Try to make it as funny, as scary or as wild as I can so that I really like it.
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I definitely see myself as an international musician. When I play, I respect the source of the music, whether it's Cuban, Brazilian or Israeli. I try to bring that to all of the music I play. Music has no borders and no flags.
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It's funny how human beings are so entertained by crimes.
