Ludwig Mies van der Rohe Quotes
Quotes to Explore
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Once you research an idea, you begin to develop a perspective. Writing about anything in public, often in real time, has helped fashion my views.
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I wasn't real quick, and I wasn't real strong. Some guys will just take off and it's like, whoa. So I beat them with my mind and my fundamentals.
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There is a healthful hardiness about real dignity that never dreads contact and communion with others however humble.
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When people talk about the impact of mobile dating, everyone focuses on real-time meeting - this idea that my pocket will vibrate every time a hot girl walks by. That's important. But it's not transformative.
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In the old days, you had an audience of about 400, half of whom were committee members from somewhere or other sitting in their suits. It's become a real sports event with sports fans now.
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Our real focus is going to be what can we do with our existing capacities, what new things can we do, and how much more demand can we fulfil with our existing capacities.
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I have a real interest in baking. I'd love to go to culinary school. That's actually my plan: to graduate high school and go to culinary school.
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I could be happy doing something like architecture. It would involve another couple of years of graduate school, but that's what I studied in college. That's what I always wanted to do.
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If architecture is frozen music then music must be liquid architecture.
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I don't want to forgive myself. That's why I hate psychoanalysis I think if you're guilty of something you should live with it. Get rid of it - how can you get rid of a real guilt? I think people should live with it, face up to it.
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A failure is not always a mistake, it may simply be the best one can do under the circumstances. The real mistake is to stop trying.
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But I'm trying to play into this role as much as possible and be a nicer person in real life.
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There's something to be said in favor of working in isolation in the real world.
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Architecture is a discourse; everything is a discourse. Fashion discourse is actually a micro-discourse, because it's centered around the body. It is the most rapidly developing form of discourse.
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I didn't necessarily have a total idea when I was writing the movie of where everything was going. I just wanted to have really realistic dialogue and write like people I knew talked. I tried to keep it very real.
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I am not cocky or real showboatish.
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I do not believe in the eternity of the spirit. That contradicts my ideology.
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Sometimes there are customers who get in difficulty because of situations that are out of their control. These are customers with genuine needs, and the role of the bank is to accommodate these customers, and there is a real need to reschedule the loans of these customers.
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The group-effort sound in recording of 'Sea Lion' is like, you really hear all the people in the room and hear them interlocking. There's a real freight-train energy of all these people at the same time playing.
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I think the kids that struggle are way more prepared for real life.
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When our culture shifts, it tends to overcorrect, throwing out everything associated with an era we've moved past, rather than saving what was good and combining it with what is new.
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A variety of factors contribute to the price of gasoline in the United States. These factors include worldwide supply, demand and competition for crude oil, taxes, regional differences in access to gasoline supplies and environmental regulations.
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As an actor, what you dream of is being able to portray people that people empathize with and understand and really feel for.
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Architecture is the real battleground of the spirit.
