Ludwig Mies van der Rohe Quotes
It must be possible to solve the task of controlling nature and yet simultaneously create a new freedom.
Quotes to Explore
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If your determination is fixed, I do not counsel you to despair. Few things are impossible to diligence and skill. Great works are performed not by strength, but perseverance.
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I always went with my agenda, I just couldn't execute it.
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I often get mistaken for Dumbledore. One wizard is very much like another.
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Democrats should insist that a pluralistic democracy such as ours rely on bipartisanship in formulating a foreign policy based on moderation and the nuances of the human condition.
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I always carry lip balm and lipstick. Lipstick is a very important beauty product because I find that lips are the most beautiful feature of anyone's face.
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The 100m taught me a lot and it's given me confidence.
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Acting is doing. It's not speaking; it's behavior. It's something happening, even if you're only listening.
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It seems to me that unless you or someone very close to you has had a bad head injury, you really can't fathom it. You have no concept of what it is all about. It was so difficult for my whole family, not just me.
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You get to a point where you really can't manage more artists, because representing artists takes a lot of time.
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I read that prior to the advent of color TV, most people dreamed in black and white.
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My parents played the radio, but music was never an obsession or something that I thought I could call a career.
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I'm the tomboy so I got to be a little butch.
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The less food, the more time to talk, the more to talk about.
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Dance should mean something to you.
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To have success in your professional life is not so hard. To succeed as a man is more difficult.
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I try to be upbeat. I read this book which tells you to write down everything that you're grateful for each day. Now I'm constantly noticing all the little things that make me joyful.
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In an ideal world, I'd spend every weekend at my home in Zermatt in Switzerland.
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But I made no efforts to organize my supporters to hold on to the apparatus. Consequently I was soon expelled and my followers, who did not change coats overnight, quietly left or were expelled from the party.
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A decade is a long time to be doing anything, much less to be with the same guys, chasing after the same goals.
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The facts speak only when the historian calls on them: it is he who decides to which facts to give the floor, and in what order or context.
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With the right vibes and the right people, it's easy to create something magical.
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It is terrifying to see how easily, in certain people, all dignity collapses. Yet when you think about it, this is quite normal since they only maintain this dignity by constantly striving against their own nature.
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I wish I could breathe a Nabokovian air. I wish I could have the Olympian freedom of sensibility that disdains, in his autobiography, to give the Russian Revolution more than a passing mention, as if such common events did not have the power to wreak fundamental changes in his own life, or as if it were vulgar, tactless, to dwell on something so brutishly, so crudely collective. I wish I could define myself -a s Nabokov defines both himself and his characters - by the telling detail, as preference for months over lozenges, an awkwardness at cricket, a tendency to lose floes or umbrellas. I wish I could live in a world of prismatic reflections, carefully distinguished colours of sunsets and English scarves, synthetic repetitions and reiterative surprises - a world in which even a reddened nostril can be rendered as a delicious hue rather than a symptom of a discomfiting common cold. I wish I could attain such a world because in part that is our most real, and most loved world - the world of utterly individual sensibility, untrampled by history, or horrid intrusions of social circumstance. Oh ye, I think the Nabokovian world is lighted, lightened, and enlightened by the most precise affection. Such affection is unsentimental because it is free and because it attaches to free objects. It can notice what is adorable (or odious, for that matter), rather than what is formed and deformed by larger forces. Characters, in Nabokov's fiction, being perfectly themselves, attain the graced amorality of aesthetic objects.
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It must be possible to solve the task of controlling nature and yet simultaneously create a new freedom.
