Ludwig Wittgenstein Quotes
It is so characteristic, that just when the mechanics of reproduction are so vastly improved, there are fewer and fewer people who know how the music should be played.
Quotes to Explore
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I always dreamed of being Maria in The Sound of Music.
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Of course people think Washington is arrogant. It is.
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I'm French - it's less important. Meaning, I remain a Frenchman in America, but I adapt to American culture. I feel good there - but I'm still a foreigner.
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I had a world of people who were raising me; it was like a little village.
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I was always very focused on how people dressed.
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No man will be a sailor who has contrivance enough to get himself into a jail; for being in a ship is being in a jail, with the chance of being drowned... a man in a jail has more room, better food, and commonly better company.
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In hospital, people should be able to have time to themselves.
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People who work 44 hours per week make 50 percent more than people who work 34 hours a week.
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I'm sorry; I ruin people's interviews because I just talk about rubbish.
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I wasn't really the most charming person, socially – it took me a long time to develop my people skills – but the one place I was always comfortable was onstage, acting or singing.
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Traditionally with debut albums, labels insist on a face, so people know who you are.
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After people have repeated a phrase a great number of times, they begin to realize it has meaning and may even be true.
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You can get any film now basically for free, and that's where I think the model we're talking about is - if you give people what they want, how they want it and when they want it, they're more likely to pay for it.
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The Broken Bow group is such a great family and seem like a group of tight-knit people. When I looked for a new label, I wanted to feel I could trust everybody. I wanted motivation to be at an all-time high.
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Writers are historians, too. It is in literature that the greater truths about a people and their past are found.
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You can't just take an image and randomly distort it and call it art - although many people in La Jolla where I come from do precisely that.
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I so think it's limiting to define an audience ahead of time. This is something I've brought on myself by being like, 'There are no 'real' teen publications! That's what I'll do!' But then it's like, well, if I want 'Rookie' to be successful and popular, then people will invalidate the realness by saying it's popular and mainstream.
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'Lost' seems to be the inverse of 'Air': It explores dispossession and identity by forcing a bunch of people into one invented landscape instead of using many invented landscapes to keep people apart.
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I am not on social media, as I don't feel the need to communicate with the outside world. People who matter to me are just a call away.
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If we turn to early Irish literature, as we naturally may, to see what sort of people the Irish were in the infancy of the race, we find ourselves wandering in delighted bewilderment through a darkness shot with lightning and purple flame.
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People don't truly respond to something until they see the direct consequences.
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My idea is to fill an intersection with color. That will include the road and the sidewalk and up the building, so there's a cubic volume of color in the intersection wedged between four corners and four buildings.
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I am inspired by the appearance of a bohemian of the new millennium.
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It is so characteristic, that just when the mechanics of reproduction are so vastly improved, there are fewer and fewer people who know how the music should be played.
