Anne Carson Quotes
I don't know that we really think any thoughts; we think connections between thoughts. That's where the mind moves, that's what's new, and the thoughts themselves have probably been there in my head or lots of other people's heads for a long time.
Quotes to Explore
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I enjoy pushing my characters to the limit. No matter how far out there I go, I look for things that make the characters human.
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I want to direct what I feel is interesting - not what is supposed to be my zone.
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I have learned to be patient.
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There aren't traditions of freedom in a place like Iraq. They're going to have to come to grips with a concept that they hadn't been allowed to conceive before.
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A lot of business can be accomplished in the state dinners.
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All writers are the same - they forget a thousand good reviews and remember one bad one.
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I'm the most Colombian of the Colombians, even though I've lived 47 years outside of Colombia. I've lived 13 years in New York, and I never did a painting about New York. I've lived in France more than 30 years, and I've never painted Paris.
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I'm less interested in how people are following each other and more interested in how they are following topics and tweets themselves. People are following more key words and concepts and more ideas and acting on those rather than individuals or organizations.
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I say I haven't lost my religion. I've lost my ideology.
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I'm working on a movie called 'Labor Day' with Kate Winslet while still balancing kite boarding. Being an actress and an athlete is a challenge, but I'm excited to see what happens.
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There's a policy now of opening the doors to the outside world.
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I am a firm believer in the people. If given the truth, they can be depended upon to meet any national crisis. The great point is to bring them the real facts.
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I was a huge comic book fan as a kid. The only problem I had with comic books is how expensive they got. I didn't have a lot of money, so I had to be very specific about what I wanted to collect. I think they're all somewhere in the basement of my folks' house.
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Never trust the artist. Trust the tale. The proper function of the critic is to save the tale from the artist who created it.
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Back in those days intimidation was the greatest tool the drill instructor had. Without that tool, he would not have had control.
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I want to expand the compassionate conservative agenda. I believe life begins in the womb, and we should protect it. But it extends to a child in Darfur or someone living in poverty.
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So I felt, well, I'll make the money and, with the money, do what I want to do.
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Life is an adventure, it's not a package tour.
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I suppose in some ways that's why my collaborations worked out, because I would go in the studio with such enthusiasm and it would never be a chore for me. I was never itching for the process to be done so we could get out live. It's a different matter for me now. Now I've noticed that I actually have one eye or one ear on how I'm going to do it on stage. And maybe that's because I'm the frontman in the group; I do believe that any good frontman should be impatient in the studio to get out.
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I think novels - or any art form - can have a powerful impact on people's perceptions of race, particularly if they draw attention to the absurd inconsistencies and stereotypes we all carry around with us and don't want to think about.
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I have people introducing themselves to me: 'I am your publicist; what can I do for you?' But I have never learned how to use a publicist.
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The supreme form of cursedness is for the Lord to turn His back on you and bring judgment on you.
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Ninety percent of my mentors have been male, most of them with very little in common with me on a personal level - from life experience, work experience, backgrounds, etc.
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I don't know that we really think any thoughts; we think connections between thoughts. That's where the mind moves, that's what's new, and the thoughts themselves have probably been there in my head or lots of other people's heads for a long time.
