Luis Fonsi (Luis Alfonso Rodríguez López-Cepero) Quotes
Everybody lives their lives differently. They have a different perspective. They've been through different things in love. They've cried about different things.
Quotes to Explore
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I sort of write onstage. I'll throw an idea out there, like Home Depot, and just start talking about it.
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There is nothing that says unions have a God-given right to be there. We have to work at it and make ourselves relevant to every section of the workforce.
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For us, overseas employment addresses two major problems: unemployment and the balance of payments position.
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My manager's biggest dream is for me to be on Letterman. She says, 'Oh, Maggie, will you promise me you'll be on 'Letterman?' What can I say? I just tell her I can't promise, but I'll try my best.
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But I also think that the more you reason collectively about what the project should be at the beginning of the process, the more you can improvise later.
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I always said there's no way I'd work in America because I'm too weird and I'm too old, but somehow it's happened.
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I've found that the most engaging and satisfying author events I've done are with other people, where the conversation is spontaneous. I think that is by far the better way to introduce and promote a book.
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I don't know how to make Harper and Alloy want me, not just my name.
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It gets pretty boring when all you are is the support system for a male character.
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At the end of the day, you can't have a vision; you have to have a hope. This is where the miracle comes in.
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You need to impress me, outwit me, compete with me? Go ahead, knock yourself out, I have no problem with that at all.
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We only have a certain amount of energy for each day. If we use it for the wrong purpose, if we focus on the negative or dwell on whoever hurt us, then we're not going to have the energy we need for the right purposes.
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I think the reason they cast me as the good girls is because they couldn't find any in Hollywood.
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Every poor designer can go with things that are popular at the moment.
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I would love a family. I'm at the age where the wish for a child gets stronger. But who knows.
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Although my art work was heavily informed by my design work on a formal and visual level, as regards meaning and content the two practices parted ways.
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I think media people know we're good at making content and how we can be smart about how to consume it. It's always a balance.
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One of the frustrations of someone like Thomas Cromwell is that, before they step into the light of history, and become extremely well documented, they are not known. A king might be well documented but not everyone.
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I would love to get a job in France!
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I really look up to Louis C.K. I think he's great. And obviously he's very popular, more popular than me. Years ago, I was thinking, naively, it would be great to be that popular. And then I thought about it and then I realized that, with his money and his level of notoriety, he has all of the same emotions that I do.
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When I was in high school, I fell under the spell of that crazy idea that if you're interested in the arts, you can't be interested in science.
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To some degree. I think that I've always been very much of a chordal person. The chords are the foundation of everything. Some of Yes' stuff is very linear, albeit complex, but it's single-line melodic stuff. So I kind of had to wear a different cap working with Yes. It's not so much chord-based.
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Everybody lives their lives differently. They have a different perspective. They've been through different things in love. They've cried about different things.
