Luis Fonsi (Luis Alfonso Rodríguez López-Cepero) Quotes
Everybody lives their lives differently. They have a different perspective. They've been through different things in love. They've cried about different things.
Quotes to Explore
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I sort of write onstage. I'll throw an idea out there, like Home Depot, and just start talking about it.
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There is nothing that says unions have a God-given right to be there. We have to work at it and make ourselves relevant to every section of the workforce.
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My manager's biggest dream is for me to be on Letterman. She says, 'Oh, Maggie, will you promise me you'll be on 'Letterman?' What can I say? I just tell her I can't promise, but I'll try my best.
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But I also think that the more you reason collectively about what the project should be at the beginning of the process, the more you can improvise later.
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I always said there's no way I'd work in America because I'm too weird and I'm too old, but somehow it's happened.
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I've found that the most engaging and satisfying author events I've done are with other people, where the conversation is spontaneous. I think that is by far the better way to introduce and promote a book.
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I don't know how to make Harper and Alloy want me, not just my name.
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It gets pretty boring when all you are is the support system for a male character.
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At the end of the day, you can't have a vision; you have to have a hope. This is where the miracle comes in.
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You need to impress me, outwit me, compete with me? Go ahead, knock yourself out, I have no problem with that at all.
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We only have a certain amount of energy for each day. If we use it for the wrong purpose, if we focus on the negative or dwell on whoever hurt us, then we're not going to have the energy we need for the right purposes.
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I think the reason they cast me as the good girls is because they couldn't find any in Hollywood.
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Every poor designer can go with things that are popular at the moment.
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I would love a family. I'm at the age where the wish for a child gets stronger. But who knows.
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Although my art work was heavily informed by my design work on a formal and visual level, as regards meaning and content the two practices parted ways.
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I think media people know we're good at making content and how we can be smart about how to consume it. It's always a balance.
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I never wanted to write. I just wrote letters home from a kibbutz in Israel to reassure my parents that I was still alive and well fed and having a great time. They thought these letters were brilliant and sent them to a newspaper. So I became a writer by accident.
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There's two sides to Trump's character, at least his pre-presidential character. One was, 'I'm the richest man you could possibly imagine, I live the life of Scrooge McDuck.' The other side was, 'I need your money. Give me money.'
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Oh! if people were but acquainted with piety, they would not fear it so much, or give it so unattractive a character; 'tis the balm of life, and perhaps in the world it is believed to consist of bitterness, harshness, uncouthness; but, take my word for it, nothing is more gentle, more yielding, more loving than a pious soul.
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As a child in the rural district of Penal I remember sharing meals from the same pot with neighbours of different racial, ethnic, social and economic backgrounds.
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To some degree. I think that I've always been very much of a chordal person. The chords are the foundation of everything. Some of Yes' stuff is very linear, albeit complex, but it's single-line melodic stuff. So I kind of had to wear a different cap working with Yes. It's not so much chord-based.
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I wish that she had had a black loon because I don't think that Nina [Simone] did. I have always had - I've been very fortunate - a group of little old ladies that I love and who love me, and who turned and to whom I turn at different times.
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Everybody lives their lives differently. They have a different perspective. They've been through different things in love. They've cried about different things.
