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I find being Irish quite a wearing thing. It takes so much work because it is a social construction. People think you are going to be this, this, and this.
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I work at the sentences. Many of the things people find distinctive about my writing, I think of as natural.
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I am interested in levels of brain discourse. How articulate are the voices in your head? You know, there's a different voice for the phone, and a different voice if you're talking in bed. When you're starting off with a narrator, it's interesting to think, where is their voice coming from, what part of their brain?
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I love the characters not knowing everything and the reader knowing more than them. There's more mischief in that and more room for seriousness, too.
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In more static societies, like Ireland, you can tell where a person is from by their surname, or where their grandparents are from.
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I write anywhere - when I have an idea, it's hard not to write. I used to be kind of precious about where I wrote. Everything had to be quiet and I couldn't be disturbed; it really filled my day.
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When I'm working, I'm not so much disciplined as obsessive. I have this feeling that I need to clear everything away and get this down.
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Naming is nice. It took me days before I was able to speak a name for my first child (what if people did not like it?), and I suspect we gave her a secret, second name as well, to keep her safe.