Anne Hathaway Quotes
I was thrust into a really lofty, enviable, but isolated position with 'Princess Diaries' in that I could carry a film before I really knew if I could act.

Quotes to Explore
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The future of Indo-Pak cricket will depend on how the peace process goes.
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I like my house to be unique to me. Sure, I've bought plenty of things out of a catalog, but the way I put them together in my home is special. You might have bought your sofa at a major home decorating store, but the rug you found at the flea market is so unique, it takes your room from 'carbon copy' to 'simply yours' in no time.
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No one rises so high as he who knows not whither he is going.
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In my personal life, I would just feel like, I will always be cool with everyone.
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It's not ideal to always be one eye on the Blackberry and two arms around my children. For the sake of mothers out there who don't have the Blackberry but do have the children and are hoping someone will be raising their voice on their behalf, it's a great privilege.
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I am fighting my natural body shape to do what I do.
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To be an ideal guest, stay at home.
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People want to imagine I spend every night going to premieres and putting on frocks and getting into limos, and yet I do that maybe twice a year, if that.
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Hope is the raw material of losers.
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I was just a goofy little funny kid, who was always getting sent to the principal. It wasn't serious because I was smart. I wasn't like a true troublemaker, just rambunctious - like, talkative and trying to be funny. That was me in middle-school.
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The man who would forge to the front in this competitive age must be a man of prompt and determined decision.
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I get to sing and act and write and create and produce for a living and share art with people, and I feel like a piece of that is in honor of those who came before me.
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I basically grew up in the backwoods.
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I strongly believe that good books are the best home accessory.
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If I want to, I can sign 20 films for ridiculous amounts of money, but I really want to do different kinds of cinema. I want creative satisfaction.
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It is very difficult to hang onto the relics of history.
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What I really like doing is storytelling, finding the body language that is necessary for the story. And when I'm doing it and it's working, I'm thrilled.
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Pressure is there with any release of mine. It's more my own, as I need to surpass my own expectations.
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I don't want to be doing movies that I don't want to do. They take so much out of you.
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I am not going to say much about the film 'Maidentrip,' but I won't be representing it, as I am not fully standing behind it.
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Once rehearsals are done the writer really doesn't have a function on the set. If the script is stabilized, then the writer becomes a celebrity tourist visiting the set, trying not to get in the way. It's very good for the ego, to go visit a film set if you are the writer, because they give you a special chair, and tell you where you can sit to watch the monitor. They make you feel special, but at the same time, they make it perfectly plain that you are irrelevant!
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If I make two films in a year, they'll be different. This is my style - I can't have just one way.
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The past was worth remembering and knowing in its own right. It was not behind us, never truly behind us, but under us, holding us up, a foundation for all that was to come and everything that had ever been.
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I was thrust into a really lofty, enviable, but isolated position with 'Princess Diaries' in that I could carry a film before I really knew if I could act.