Anne Meara Quotes
I started to respect older actors when I was young and then contemporary actors later on. Then I learned respect for comedy. When I was first doing theatre, I thought of it as just a means to become Sarah Bernhardt or someone like that. But acting with young people has been a great learning experience.
Quotes to Explore
-
I'm a Ninja. I'm not scared of death.
-
The idea of modernity is beginning to lose its vitality. It is losing it because modernity is no longer a critical attitude but an accepted, codified convention.
-
I started out a die-hard New Yorker but really grew to love working in Los Angeles. Even though I originally wanted to do theater, TV presented more opportunities for me, which led me out west.
-
I think everyone remembers how certain Russian bureaucrats used to work against the Ukrainian opposition; I think it is hard to drop old habits.
-
And you know when I was growing up, I knew I wanted to have kids, but I knew I didn't want to do it alone. Then once I was 41, 42, I had to accept that I probably wouldn't have kids unless I decided to adopt later on, but even then it would be with a partner.
-
To get promoted, company executives need to be able to see you as one of them.
-
Leaving Egypt and the people I loved so much, and the environment I liked, was definitely worth it, because I also have great love for medicine and science.
-
The best way to look stylish on a budget is to try second-hand, bargain hunting, and vintage.
-
Bruckner's Eighth is a colossus.
-
Peyton Royce and Billie Kay are two phenomenal workers; I would love to see them up here on Smackdown. They're great girls with great talent. A bit of momentum, and we're going to see amazing things from them.
-
I think that, a lot of times in Hollywood pictures, the reality, the messy reality of women's lives - it's avoided, because I think people are just afraid of it. There's a standard that women are set to, to try to keep everybody comfortable.
-
Those who go along get along.
-
And luckily, therefore the good old days return. The traditional art of driving counts again, and it is all about good tactics, skills and reflexes instead of simple power.
-
It might be useful to distinguish between pleasure and joy. But maybe everybody does this very easily, all the time, and only I am confused.
-
Christine Bass was my high school music teacher. She took a program on its last legs and within a few years turned into one of the best programs in the country. Our high school dominated national choir competitions all through her 20-plus year tenure.
-
When you have put all your faith in man and continue to be disappointed, don't you hope there is something out of there that is not of human element?
-
Keep your eye on the ball.
Ford Frick -
I really want to bring ensemble playing back to the forefront - not just for me, but for everyone in jazz. When you have a group, a true co-op group, you can really heighten the possibilities of all the treasures of jazz.
-
I soon found law school an unmitigated bore.
-
In an industry that's uncertain and when you're in a lot of situations that are anxiety-causing, to have someone there who has your back unconditionally and cares for you and the material and would give anything to make sure everything is OK, makes you feel so much better. It gives you a sense of security as an artist.
-
What unites them is an almost reckless desire to test themselves in the most extreme circumstances. In many respects the life they have chosen is a complete rejection of the hyped, consumerist American dream as it is dished out in reality TV shows and pop-song lyrics. They've chosen asceticism over consumption. Instead of celebrating their individualism, theyíve subjugated theirs to the collective will of an institution. Their highest aspiration is self-sacrifice over self-preservation.
-
It's like nothing's really happening. Our culture is almost dead.
-
When you're hanging there twenty feet off the ground, surrounded by green screen, and all you've got is the other actor and the wonderful Gavin Hood shouting instructions at you as to what's going on; it's a really unique experience.
-
I started to respect older actors when I was young and then contemporary actors later on. Then I learned respect for comedy. When I was first doing theatre, I thought of it as just a means to become Sarah Bernhardt or someone like that. But acting with young people has been a great learning experience.
