Anne Reid Quotes
Quotes to Explore
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After I left college, I went to work at the Royal Opera House in London, which became a real catalyst for me because it made me realize that I was interested in cinema and in the way life is thrust at you. So I started making films.
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The mind is but too naturally prone to pleasure, but too easily yielded to dissipation.
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I tend to have a lot of jokes about ex-girlfriends. They always ask me if they will be the subject of a joke, and I always tell them they won't. Unless they do something crazy. They all tend to, so you know where that goes. There are no closed doors. The 'art' will suffer.
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My movies are, more or less, very short. I'm terrified of boring an audience.
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What I do find enormously gratifying is the reviews my books get from the American press. They are so on the ball compared to anywhere else. It's so satisfying to get a review that conveys the reader understood precisely what I was trying to get at.
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Fighters today are much bigger, stronger and quicker and not only that but referees, judges and doctors back then were very strict and if your head got busted up the fight would be stopped.
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The whole story of the comfort women, the system of forced sexual slavery, the medical experiments of Unit 731, is not something that is in the US psyche. That is changing because many books are coming out.
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I used to wear miniskirts with my GB top, and sparkly sandals, and the boys would be like: 'Oh my gosh, this girl cannot be serious.'
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Somehow I got the feeling at an early age that I had to do something important with my life.
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I've always wanted to make movies that are fever dreams.
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I think the one that's going to be the hardest to make into a film is the one that's probably going to be made into a film, which is 'The Art of Racing in the Rain.' I mean, it's narrated by a dog. How do you do that? But hopefully we'll get to see.
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To come in and win three races already this year and maybe set a record by winning four is pretty unique. But guys like Mark Martin, Rusty Wallace and these guys are not wanting that to happen.
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We are living in 1937, and our universities, I suggest, are not half-way out of the fifteenth century. We have made hardly any changes in our conception of university organization, education, graduation, for a century - for several centuries.
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I have a box of things from Becca, my high school girlfriend, and Vanessa; and each one of them was love. I have the notes, the valentines, 20 mixed tapes, all of it. It's important to keep that stuff.
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I didn't come from the elites. I didn't come from the Northeast or from San Francisco. I came from a southern Ohio steel town, and it's a town that's really struggling in a lot of ways, ways that are indicative of the broader struggles of America's working class.
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Your body thinks radium is a great thing to pack into bone - where it kills some cells outright and scrambles the DNA of others, causing problems like cancer.
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You can be aware of the passing of time without being nostalgic.
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The way we're attached to our phones these days, they buzz and twitch in our pockets, and we have to look and see if it was a text, a voicemail, or an e-mail. We're almost like lab rats. I tried to eschew the whole cell phone theory until I had kids; then, I had to be reachable at all times.
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Having grown up as a young Army officer in the Vietnam era, I had an instinctual sort of notion that you have to look very carefully and weigh very carefully what anyone says.
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I want to continue to produce film, television, and theater, and to make the most amazing music that I've made in my life.
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I wish there was a painter who could paint as well as Ted Williams could hit.
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I got to play with my older brother in high school and college, and I played with my younger brother in high school and college, so I kind of get to do everything, so it was really pretty sweet.
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Take care, you who wish / to deal with names / for love. Behind their sweetness / and wrath, nothing endures. / Nothing but wounds and kisses.
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I've a very sweet tooth. Wish I didn't.
