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The Amateur Marriage grew out of the reflection that of all the opportunities to show differences in character, surely an unhappy marriage must be the richest.
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The one ironclad rule is that I have to try. I have to walk into my writing room and pick up my pen every weekday morning.
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Not until the final draft do I force myself to remember that I'm going to have to think about how it will affect other people.
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I was standing in the schoolyard waiting for a child when another mother came up to me. Have you found work yet? she asked. Or are you still just writing?
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When I'm working on something, I proceed as if no one else will ever read it.
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I consciously try to end my novels at a point where I won't have to wonder about my characters ever again.
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In real life I avoid all parties altogether, but on paper I can mingle with the best of them.
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I've always enjoyed studying the small clues that indicate a particular class level.
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People always call it luck when you've acted more sensibly than they have.
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I save the best of myself for novels, and I believe it shows.
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And I am interested in the fact that class is very much a factor in America, even though it's not supposed to be.
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I never think about the actual process of writing. I suppose I have a superstition about examining it too closely.
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When I read, I'm purely a reader.
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While armchair travelers dream of going places, traveling armchairs dream of staying put.
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My decision to start a new one is just that, a decision, since I never get inspirations.
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I do write long, long character notes - family background, history, details of appearance - much more than will ever appear in the novel. I think this is what lifts a book from that early calculated, artificial stage.
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If I waited till I felt like writing, I'd never write at all.
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I'll write maybe one long paragraph describing the events, then a page or two breaking the events into chapters, and then reams of pages delving into my characters. After that, I'm ready to begin.
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It's true that it's a solitary occupation, but you would be surprised at how much companionship a group of imaginary characters can offer once you get to know them.
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I didn't really choose to write; I more or less fell into it.