Annette Bening Quotes
Quotes to Explore
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People are like, 'What's Game of Thrones about?' I'm like, 'It's in the title.' For real, this is a game for the Iron Throne. No matter what character you are, you're sucked into that at some point.
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It's really interesting working in television as opposed to the theater, where you know the arc of the character and you are able to create this whole backstory.
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When you choose your friends, don't be short-changed by choosing personality over character.
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When I did 'The Social Network', David Fincher told me that I managed to make a thankless character pretty awesome. I thought that was really cool because I think he's really cool.
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Never jeopardize who you are for a role. Now, I'm not saying you should never change for a role, because the fun of being different characters is adapting different nuances and different parts of the character, but never jeopardize your moral compass or anything like that to have a role.
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Character in a saint means the disposition of Jesus Christ persistently manifested.
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My childhood and adolescence were filled with visiting scientists from both India and abroad, many of whom would stay with us. A life of science struck me as being both interesting and particularly international in its character.
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You have to have been a Republican to know how good it is to be a Democrat.
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My books are character-driven. They're not driven by the story.
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I have done theatre, and I enjoy the process of smaller films a lot more. When I do such films, there are certain things which I get to do which are untapped. The scenes give me the liberty to play and mould the character in accordance to the director's mindset.
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Anyone can die. Rule number one is don't get too attached to a character, anyone can go.
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Since I was from the theater, that's how I learned how to go through the process of being a character. That's how I learned, and that's what I was comfortable doing. And then, the first feature films, I'm sure I was no fun because I did not want to be spontaneous in that filmic way that really can work for you.
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I always try to approach character first and foremost viscerally.
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I try to think what the character is thinking. Then, hopefully, I begin to feel it. I act and react not because I'm recalling a dog killed by a fire engine, but because I'm concentrating on what the character is going through.
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A government must not waiver once it has chosen it's course. It must not look to the left or right but go forward.
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The past could liberate or imprison - it creates a nation's character, provides the nourishment or the poison a people imbibe in their very marrow.
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The nice thing is that, at least in Los Angeles, I'm known as a character actor and I do auditions for other things besides just cartoon shows.
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I always say the classier cousin of 'Anchorman' is 'Mad Men,' because when you really look at it, why do people really love Don Draper in 'Mad Men?' He's just a terrible guy. But we know why he's terrible, and I think that's really key to why you can be sympathetic to a character.
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You wanna do a lot of backstory for your character - as an actor, you wanna research that. But on the show, it's fun to remain in that naive place as you go along, and be able to continue to discover things about your character as the writers come up with them.
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Not in our make-up, to be sure - not in the pose which is preceded by the tantaras of a trumpet - do the essential traits in our character first reveal themselves. But truly in the little things the real self is exteriorised.
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Even if the criticism is not always perfectly informed and in some cases I would deem unfair, just the noise, attention, fuss probably keeps powerful officials or agencies on their toes. And they should be on their toes when it comes to the use of deadly force.
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Everything in America is so stratified by class now. We have the 93rd level of income inequality in the world. You're already seeing highway lanes that are for pay and ones that aren't.
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What makes us love a character is a character that tries.