Luke Evans Quotes
To be able to work with people who I have respected and admired, to be a part of something like the Cannes Film Festival, is surreal and brilliant.
Quotes to Explore
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Life does not owe me a shred.
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I take my kids to school... I make them breakfast. Unfortunately, dad is a big spoiler, and most days, I make four different breakfasts.
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I know exactly what it's like to stand on top of a tall building or in a high place and look down and go, 'Ohhhh my God.' I try to get into that place every time I write a scene like that. And definitely when I write the action scenes, I get overheated and my heart goes really fast. I get very involved.
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Vice is a creature of such hideous mien... that the more you see it the better you like it.
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I don't do nostalgia. It just doesn't occur to me. I'm living in the moment, and I don't have that gene.
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Back in May of 2008, the Kindle was still quite new, and we focused on that.
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I threw a lot of balls and walked a lot of batters. Not something I'm proud of, but something I learned from.
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The challenge of a cathedral is very good for architectural inventiveness.
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At the end, it's your movie and your performance that stands out. So if I am a good actor, and if am being part of good entertaining engaging films, audiences will like me.
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In 1930, I was at the top of my career. I won the Most Valuable Player award.
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I will not promote other people's songs big time. I will just mention that I produced the song to get the credit I think I deserve.
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Being blonde means people decide on sight that you are much prettier and nicer than you really are, just as Americans automatically add 10 points to someone's IQ when they hear an English accent. Fact.
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Posthumous reputations have little to do with real lives.
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IQ is a commodity, data is a commodity. I'm far more interested in watching people interact at a restaurant with their smartphone. We can all read 'Tech Crunch,' 'Ad Age.' I would rather be living in the trenches. I would rather be going to Whole Foods in Columbus Circle to watch people shop with their smartphones.
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When you realize that the uncut 'Porgy and Bess' started me off, that I'd have the opportunity to do a ton of 'Stoppard,' 'Hairspray,' that I'm able to do 'Il Trittico' at the Met – how do I top that?
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If a farmer fills his barn with grain, he gets mice. If he leaves it empty, he gets actors.
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I know what it feels like to be a victim of domestic violence.
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I definitely enjoy working with people who can do their thing but also allow me to do my thing, you know? Who respect the process.
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I have always been interested in people who live outside of the fabric of the norm.
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I always hope that people feel less alone when they see a movie that I make. That some part of the story played out on the big screen will resonate for individuals in the audience in a way that gives them comfort.
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I am urging Americans to be more careful about the kinds of media we support with our consumer spending. We've got to invest less in the media that glorifies violence and more in entertainment that lifts up the values of love, compassion, and the best in human nature.
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I have a pretty big fund-raising heart.
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It's particularly important that we reach out to everybody in our countries, those who feel disaffected, those who feel left behind by globalization and address their concerns in constructive ways as opposed to more destructive ways.
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To be able to work with people who I have respected and admired, to be a part of something like the Cannes Film Festival, is surreal and brilliant.
