Quavo (Quavious Keyate Marshall) Quotes
Quotes to Explore
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I want to do roles that take women a step farther. I don't want to be slotted into anything. But if I get a brilliant role which requires me to be a mother, then I will do it. But I want people to see that a woman could be anything at whatever age, even if she is married or has two kids.
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I love Bridget Fonda.
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I've only twice in my life come across someone with both high IQ and high EQ naturally; and that was because their parents were super high EQ, and the parents just EQ'd the hell out of them. They're inevitably very successful because now you've got someone who's sharper than the average person and well-rounded, too.
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Going to bed can cause imaginary conversations you should have had with certain people or real conversations with your brother who is calling from a bar in a different time zone.
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It's not what you've got, it's what you use that makes a difference.
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For about a year, I just didn't know what to do. I did laboring jobs, working in the docks, construction sites.
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If I can help and influence girls who are going through body-image issues then I think that's amazing.
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I never come away from a film thinking I nailed it.
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I have been Fat Joe since I was a kid. It's always been my name and always will be.
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Cornwall bears a certain resemblance to Italy: each is like a leg or boot, but Italy stands a-tiptoe to the south, whereas Cornwall is thrust out to the west. But, whereas Italy is kicking Sicily as a football, Cornwall has but the shattered group of the Scilly Isles at its toe.
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For the most part, it's a very male-dominated business. Most executives are male, so it's always sort of their vision of stuff. I'm constantly fighting against that, even when I play the wife or the girlfriend or the best friend. I always try my hardest to bring as much layering in and not make things stereotypical, but it's hard.
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I want to find a way to speak to the broadest audience possible.
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Different directors have different things, so when I left Mike Leigh, as it were, and I went into other projects after 'All or Nothing,' it took some getting used to - what do you mean there's a script?!?' That kind of thing.
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I would dodge, not lie, in the national interest.
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With my parents, when I was younger, I always had to do two things. If I was acting, I always had to do a sport or something on the arts side of things along with that. That way, if one fell apart, I always had something else to fall back on.
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The things that have really gotten confusing to me is how you balance the desires of your publishers to produce things on a schedule, and people are always sort of giving you ideas on what you should follow up with or how you should proceed next and things like that.
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Because pandemics almost always begin with the transmission of an animal microbe to a human, it's work that takes me all around the globe - from rain forest hunting camps of central Africa to wild animal markets of east Asia.
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I kind of went into soap opera with 'General Hospital' in the '80s. It's like theater because every day it's a new script, which really doesn't have a beginning, middle or end like a play or a movie script. So you have to be on your toes and bring it every day. And you have to be spontaneous, which is really how I like to work.
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But I have always said that it's important we must make sure that justice is at all time be maintained.
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I believe in backing players and helping them out with their game.
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The truth is a snare: you cannot have it, without being caught. You cannot have the truth in such a way that you catch it, but only in such a way that it catches you.
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I had a ball doing Harry Potter.
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We can't stop anybody from doing what they want to do.
