Lusia Strus Quotes
What draws me to the theatre, and what appealed to me about Too Much Light, is that you have no idea what's going to happen. That's the most exciting part of theatre, it's never the same. If it were, it would be like watching a movie.
Quotes to Explore
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I don't deal in pretentious kids' parties.
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'Inside Out' - that was a really good movie. That's the first animated movie I saw since 'The Lego Movie.'
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Anytime you put a movie out it's subject to such scrutiny and such criticism.
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It was priceless. Being the UFC champion and having my kids in the Octagon, my wife, them holding the belt. That was like a movie.
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The first movie I can remember seeing in the theater was 'Return of the Jedi.' I can remember seeing Darth Vader's helmet come off. The shock of that moment.
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There is a wide, yawning black infinity. In every direction, the extension is endless; the sensation of depth is overwhelming. And the darkness is immortal. Where light exists, it is pure, blazing, fierce; but light exists almost nowhere, and the blackness itself is also pure and blazing and fierce.
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My music is a little dark, and my lyrics are a little darker. Every day, I'm fighting towards the light.
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The ordinary man considers solids and liquids and the energy manifestations of the material world to be vastly different, but the yogi sees them as various vibrations of the one cosmic light.
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When we talk about communities, we seldom discuss the margins. But for every person nestled comfortably in the bosom of a community, there is someone else on the outskirts, feeling ambivalent. Ambiguous. Excluded. Unwilling or unable to come more fully into the fold.
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The Pyramids are perfect, but you can't put the Pyramids in the middle of Manhattan. In the desert, the combination of light and form makes it perfect.
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Why do you act? You act for an audience. In the theatre, you're in their presence. Film stars don't know what it is to have an audience.
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I love going to the movies; I love watching good movie actors. They must know something I don't.
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There have been moments where I'm like, 'I don't know how I'm going to survive and pay next month's rent.' And the next month I'm filming a movie in New York City.
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The thing is, even though you think a lot about your movie, and there's a lot of preparation behind it, the final end result completely goes beyond it. It's not something you're aware of.
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My mind withdrew its thoughts from experience, extracting itself from the contradictory throng of sensuous images, that it might find out what that light was wherein it was bathed... And thus, with the flash of one hurried glance, it attained to the vision of That Which Is.
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When I stepped out into the bright sunlight from the darkness of the movie house, I had only two things on my mind: Paul Newman and a ride home.
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A dark house is always an unhealthy house, always an ill-aired house, always a dirty house. Want of light stops growth and promotes scrofula, rickets, etc., among the children. People lose their health in a dark house, and if they get ill, they cannot get well again in it.
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The art of art, the glory of expression and the sunshine of the light of letters, is simplicity.
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What the hell did I do in the 80's? Midnight Run. A perfect movie. Just a perfect movie.
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The consumer is deciding what they want to see and when and how, and filmmakers are more aware and accepting of the fact that success is not predicated on your movie showing in a traditional theater for a certain amount of time.
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The musical performances do more than enrich the movie; they complete it.
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The phrase 'blue plate special' has always been one of the homiest, coziest, most sweetly nostalgic phrases in the English language for me.
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I don't want to be normal. I want to be something else.
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What draws me to the theatre, and what appealed to me about Too Much Light, is that you have no idea what's going to happen. That's the most exciting part of theatre, it's never the same. If it were, it would be like watching a movie.
