Claude Monet Quotes
Quotes to Explore
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What I believe will make my acting career successful going forward is hard work. I like to challenge myself. Then it's the people I meet and choosing the projects I want to work on correctly. There's a lot of characters I can play.
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I tried to play rugby but was never very good.
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I think if you talk to my colleagues, I was less than a fearsome individual.
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Then you had people who wanted to get into comedy just to get a TV deal.
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I really don't know life without wrestling.
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The ANC party from time to time comes with legislation which, if accepted and if not nullified by the constitution of court, would have the effect of undermining the constitution and eroding its values.
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The interest on our debt is going to collapse this country.
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There are times when what's happening in rock is the best music in the world, and there are times when there is nothing worthwhile at all.
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I do like the research part of writing, I must admit.
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I never thought about having a daughter, and then I had a daughter, and it was a remarkable thing. It was very different from having a son and your response to it. With a son, it's much more complex. And it's probably because of my stuff in the past. With a daughter, I was surprised at how simple it is.
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Tori Amos had a major influence on how I craft words in a song. Until I heard 'Little Earthquakes' all my lyrics used really obvious analogies like rain for tears.
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The key is falling in love with something, anything. If your heart's attached to it, then your mind will be attached to it.
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In film, you can't go into analytical explorations because the audience will reject that.
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There are many things that matter much more than an editor's gender in shaping the direction of the leadership.
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I must stick with Chinese language films.
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Safeco Field is a lot like a National League park. Because of that, we're more of a pitching-defensive type club. Anaheim and Oakland - and even Texas - are more offensive oriented. We're a club that doesn't blow anybody out, but at the same time we don't get blown out much. We're in most of the games.
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Until 'Moonlight,' I had never seen one black man cook for another on screen. But I wanted the characters to be free of 'groundbreaking' or 'never before.' We were ascribed those things. They weren't the point.
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The anorexic is out to prove how little she needs, how little she can survive on; she is out, in a sense, to discredit her nurturers, while at the same time making a public crisis out of her need for nurture. Such vulnerability and such power: it brings the whole female machinery to a halt.
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When I was backstage at Comic-Con, about to go out and do the panel for Thor, and Joss Whedon ran up and introduced himself, I already almost passed out, right then. And then, he said, "I've been meaning to call you. You have a big part in The Avengers. Can we introduce you as part of the cast?" It was pretty Make-A-Wish Foundation. I was pretty sure I was dying and nobody had told me yet.
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It's taken years for me to understand that dying doesn't end the story; it transforms it. Edits, rewrites, the blur, aand epiphany of one-way dialogue. Most of us wander in and out of one another's lives until not death, but distance, does us part-- time and space and heart's weariness are the blander executioners or human connection.
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I want to challenge my cinematography and my editing.
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The thing about Red Lanterns is that, while they have light powers and they have a power battery, they also have this weird shamanistic kind of blood magic side to them.
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When it is dark, it seems to me as if I were dying, and I can't think any more.
