Barbie Ferreira Quotes
What the body-positive movement wants is to stop categorizing people, and to let people of all body types be able to do anything, whether they're slightly bigger than the average model or a lot bigger.

Quotes to Explore
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I wrote seven Myron Bolitar novels in a row, and I never want to write a Myron book where he just solves a crime. Every one of them I want to be personal, and I want him to grow and change. The problem with that is, it makes the series limited, you can't write a series where a guy is always going through some kind of crisis.
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Both World War II and the subsequent Cold War gave America's involvement in world affairs a clear focus. The objectives of foreign policy were relatively easy to define, and they could be imbued with high moral content.
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Listen, I'm not a politician. I'm not a news reporter. I make music, and I act.
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No religion can long continue to maintain its purity when the church becomes the subservient vassal of the state.
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There's such a preoccupation with liquidity and such an unwillingness to invest beyond the horizon of the next quarter and making sure that the CEOs hit their quarterly earnings.
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Our best thoughts come from others.
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I was so keen to become a comedian that actually doing the comedy itself almost came second.
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The problem is not simply that the Singularity represents the passing of humankind from center stage, but that it contradicts our most deeply held notions of being.
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Education is not only a ladder of opportunity, but it is also an investment in our future.
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I see myself as a composer who plays music and likes to play with other people, and not just as a solo artist.
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When a guy tells me I'm cute, it's not something desirable. Cute is more like what you want your pet to be.
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That's what's interesting about the Lower East Side: It's New York, but it's also edgy. It's not as stuffy as Tribeca or Soho.
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I think the skin is the most important thing. If you take care of your skin, you don't really need much makeup.
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I've made it my mission to make movies starring African American actors and about the African American experience and put them in the mainstream. They're very universal stories I've told - every movie I've done.
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In nature there are few sharp lines.
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I think what was frustrating to see a lot of good people go. You don't picture it, you don't imagine it, don't think it could happen. When it does, you are puzzled.
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'Gatekeeper' was sort of my first attempt to put a little bit of a frame and boundaries around songwriting, and try to figure out a way to approach it that had a sort of end result in mind. I haven't written many like that.
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We don't want to repeat the unintended consequences that surfaced following the NAFTA agreement.
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Running doesn't come easy to me, especially the first thirty or so minutes. My message is take it one step at a time.
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I don't need to be a frontman all the time, and in fact, the older I get, the less of an urge it is inside me to play that role. I've still got it inside me, and I do occasionally allow it out.
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If it's not hard, you're not dreaming big enough!
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To be honest, sometimes I'm horrified because you don't really know what you look like. If I really knew what I was doing on-screen, I would try to stop doing it.
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Sometimes after a compliment about my characterization skills, I'm asked if I model my characters on real people. Emphatically, no. And sort of, yes.
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What the body-positive movement wants is to stop categorizing people, and to let people of all body types be able to do anything, whether they're slightly bigger than the average model or a lot bigger.