Lars von Trier Quotes
Quotes to Explore
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I'm old enough to remember in the 1930s and the 1940s when thrift, frugality, was considered an important virtue.
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I hope that on my tombstone it says 'Born 1933, died 2043.' I hope that's my legacy.
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In my career, there have been roles I haven't taken because someone involved with the project gave me a bad vibe. I don't care how much money is on the table: No job is worth feeling uneasy every day.
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You have this ability in hip hop to be invincibly cool, and that is a part of G-Eazy.
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I get asked to comment a lot on inequality in cycling, but for me it has never been an issue. Everything has always been equal on the track, and the male and female riders are all part of the same team, and we all mix freely.
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The political system is not for the people. The people are secondary to the economy. It's about what generates money, not about what benefits the people.
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I love to read. And right now I'm on my last hundred pages of 'The Corrections' by Jonathan Franzen, and I really enjoyed it. His writing is just - he's one of those writers where you just go, 'There are people just meant to be novel writers.'
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To avoid being mistaken for a sellout, I chose my friends carefully. The more politically active black students. The foreign students. The Chicanos. The Marxist professors and structural feminists and punk-rock performance poets.
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I'm easily entertained.
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The public thinks that homelessness is about not having any accommodation to go to.
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I will never forget the will of the people who believed in me wherever I went during the election campaign.
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I've been making some more electronic music, which I really enjoy doing.
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When I was rising eighteen I persuaded my parents to let me return to Australia and at least see whether I could adapt myself to life on the land before going up to Cambridge.
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Rock and Roll has no beginning and no end for it is the very pulse of life itself.
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I liked to play dress-up.
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As a college student, you're depending on your scholarship money, money your parents send you. So I guess when people start talking about big figures, it doesn't hit me.
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My grandfather allowed as how I might even live long enough to see a Mars landing. I haven't, of course, except in fiction, including my own, and strongly doubt that I ever will.
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I've been doing this since 2011, when I started on Instagram. Building my presence on there was important to my brand, but I wanted to take my audience to other platforms, so I then crossed over to Twitter second, then YouTube third. It wasn't until I made my fourth crossover to a different platform that I went to Vine.
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My aunt took me to see 'Salad Days' when I was seven. This story of a magic piano that infects everyone who hears it infected me, too. It was a Road to Damascus moment in my life.
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I really want my music to go mainstream.
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I got married because I wanted to do something that was more than I understood, because my feelings were more than I understood.
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HeyHey is my favourite app. It's like Instagram but for sound recordings, with little soundbites from people's days. We spend far too much time looking down at our phones, so it's nice to have your head up while you listen to what other people have uploaded.
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It's always been a lie that it's difficult to make films.
