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A novel can enlarge the empathy and imagination of both its author and its reader, and my experience, that sense of enlargement is most intense when I'm transported beyond the narrow limits of my daily life.
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It's hard to think of another body of work that is more universally beloved - I don't think I've ever met someone who has encountered 'Calvin and Hobbes' without falling for them.
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Chechnya forms the bookends to Tolstoy's career. He began writing his first novel, 'Childhood,' while in Starogladovskaya in Northern Chechnya, and his final novel, 'Hadji Murad,' is set in the Russo-Chechen War of the 19th century.
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I read all of the nonfiction that I could find on Chechnya, and all the while, I was searching for a novel that was set there. I couldn't find a single novel written in English that was set in the period of the two most recent Chechen wars.
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You look at a surgeon as you would a secular priest, almost, if it's your child, if it's your sister on the operating table. That was an idea that very much has interested me and I've wanted to explore for some time.
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Ever since studying in Russia as a college student, I had been in a long-distance, one-sided love affair with Chechnya's remarkable history, culture and rugged natural beauty.
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I took a 19th-century Russian novel class in college and have been smitten with Russian literature ever since. Writers like Tolstoy, Dostoyevsky, Grossman, and Solzhenitsyn tackle the great questions of morality, politics, love, and death.
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When I came to the last line of 'Car Crash While Hitchhiking,' I read it as a pitiless statement of indifference: a refusal to warn the family of their impending collision, a refusal to help when miraculously spared, a refusal to act on the empathy hiding behind the story's language.
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Usually I spend a long while working alone before letting anyone read what I've written.
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When I visited Chechnya, I was taken aback at first because people would regularly make jokes about kidnapping me.
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During the 20th century, Chechnya was written about by local poets and novelists, as well as writers from Russia and Central Asia, but very little is available in English translation.
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Wars break things; they break stories.
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There was something about the idea of Russia that I found very intriguing, and I think I had romanticized it a lot.
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The idea that fiction can capture the stories that fall through the cracks of history informed 'A Constellation of Vital Phenomena,' which progresses across the two Chechen Wars of the 1990s and early 2000s.
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A novel can grant humanity even to those who act inhumanely, and by making men and women of monsters, it can offer not only a ground-level view of a particular conflict, but a descent into the substratum of human nature capable of the incomprehensible.
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I'm wondering when you hit the age where people say, 'Oh, OK, he's not so young.'
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I think after you write something and you're finished with it, there is a sense of loss. That this is a world I can't really re-enter the way that I could when I was working on it. The covers of the book close it to the writer.
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When confronted with the facts of foreign atrocities, the experience is often consigned to the realm of the unimaginable. Fiction makes the unimaginable imaginable.
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My first real awareness of Chechnya came when I was a college student studying in Russia. I arrived in St. Petersburg about two months after Anna Politkovskaya was assassinated for her reports on Chechnya. I lived with an elderly woman and her grown children in an apartment that was not too far from the neighborhood military cadet school.
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Grozny's been largely rebuilt. But at the same time, I think the war is very much being waged inside its survivors.
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For the years I spent working on it, 'Constellation' was the only novel I knew how to write, so maybe I still abided by the maxim? Regardless, I prefer the maxim: Write what you want to know, rather than what you already know.
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Despite my best efforts, word that an American tourist was in town quickly made its way around Grozny. That I had come to Chechnya not for business or NGO work, but to see the sites and meet the people, was notable enough to be broadcast throughout the republic.
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While looking up news from the North Caucasus on Twitter, I was linked to the sanguinely titled 'Seven Wonders of Chechnya Tour' on the website of Chechnya Travel, the postwar republic's first tourism outfit, founded in 2012.
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Research is not an obstacle, something to be frightened of. It can be one of the real joys of writing.