Anthony Trollope Quotes
The happiest man is he, who being above the troubles which money brings, has his hands the fullest of work.
Quotes to Explore
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I think in every picture that I've ever made. Everything that I've done torments me. I really would like another chance except I'd be too embarrassed to ever really try to do them again and no one would want to see the same movie just done differently.
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I'm not comparing myself at all to him, but I like the idea that Ernest Hemingway always wrote about certain things he knew, he knew the ins and outs, back to fronts of what he was talking about. I love that as an inspiration for myself, to keep it true to what you know.
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I just got to hear every note. After I left Birdland, I started working at the Jazz Gallery. In the end, I still couldn't play, but I knew how to listen. I was probably the world's best listener.
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The cast of 'Lemonade Mouth' was picked so perfectly. A lot of people see us as a band on camera, but not a lot of people know that Lemonade Mouth was a band off-camera, too.
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Every director bites the hand that lays the golden egg.
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Any man whose errors take ten years to correct is quite a man.
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My issue with campaign finance is 100 percent disclosure. Wear a suit with patches from your big contributors. Depending on the size of the contribution, that's how big the patch should be.
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Every actor has their own process. For me, I really need to stay in the pocket. So, if I'm on set and I'm in character, I'm not thinking like a producer. If I'm on set and I'm not in character, wardrobe and make-up, and I'm just coming on set for the moments that I'm not shooting, then I'm able to be the producer.
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Let me be the first to say I can't remember ever having a conversation about the definition of consent when I was a kid. I knew that 'no' meant 'no,' but that's it.
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One of the first albums that I remember, rap albums I remember really listening to, was LL Cool J 'Mama Said Knock You Out.'
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We all love to be admired and given compliments, but I don't really keep track.
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The magic of creation has always fascinated me.
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I would love to play alongside Wayne Rooney. He does the running of two or three players and makes a lot of space. We would be the perfect combination.
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I'm a decent cook, and I will try to cook anything. My only weakness is that I don't know servings - I only know how to make a lot.
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It's just impossible to ignore the activists in your party. These are the people who stuff the envelopes, and walk the precincts, and make the telephone calls, and do all the so-called grunt work that brings about a successful campaign.
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I have to tell you that June Cleaver had a job in 'The New Leave It to Beaver.' She did. Sure, she was a council woman. She went to work. She wasn't a sit-at-home grandma. She went out, got a job.
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When I'm passionate about something, I just get excited.
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I want to be a better person in every aspect. I really don't feel I've in anyway fulfilled my potential in every area of my life. But I'm optimistic.
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If you know what you're doing, it's not interesting. It has to be a challenge; it has to seem impossible and urgent to do it. And then you do it.
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Everybody's got a puncher's chance in this game. I mean every single person on Earth. But my whole focus, my whole style, my whole dynamic is built around taking that power away from you. So where is the logic in why you're different from anybody else? There is no logic in it.
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Ideal conversation must be an exchange of thought, and not, as many of those who worry most about their shortcomings believe, an eloquent exhibition of wit or oratory.
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There's a very distinct difference between a really wonderful DIY label and a soft drink company, or a car company, or a clothing brand, and you will always understand that difference.
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The happiest man is he, who being above the troubles which money brings, has his hands the fullest of work.
