Anthony Trollope Quotes
Quotes to Explore
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We're not ever interested in repeating ourselves or doing what people expect us to do, it's such a turn off.
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Part of Michael's uniqueness, I think, comes from the fact that he worked with music. He had a tape which he gave me with many different compositions, really eclectic. These pieces of music were sources of inspiration.
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I had one girl tell me last night that I'm the greatest thing ever, that she wants to aspire to be me. Just stuff like, 'You're my idol. I love you.' It's awesome. It's what it's all about.
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Renouncement: the heroism of mediocrity.
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I and life: The case was settled chivalrously. The opponents parted without having made up.
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Ultimately, I hypothesize that technology will one day be able to recreate a realistic representation of us as a result of the plethora of content we're creating converging with other advances in machine learning, robotics and large-scale data mining.
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I'm not a size 0, and I'm nowhere close to it. But, I don't want anyone to know what I am so I like to design clothes so you don't know what's going on under there.
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I dreamed about this as a kid, that I would write - and people would read - a whole series of books. I feel accomplished, giddy, and tired. Mostly, though, I feel thankful. A trilogy is a huge investment on the part of author, publisher, and reader, and I'm grateful that so many people were willing to invest along with me.
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Japan is the largest creditor country in the world, so we have made contributions to the stability of international markets and we want this IMF meeting to confirm that we will continue to contribute.
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Making the 'An Idiot Abroad' series, I was really dreading going to India; I thought I'd hate it. It was a nightmare, and I was really ill - just like everyone says.
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A libertarian presidential candidate isn't going to win anyway, so he can afford to say that all taxation is theft, and it isn't the job of a libertarian presidential candidate to cook up new ways to commit theft.
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I was raised in the '70s, and I've worked with people I love, and I've been on sets with my parents, with people who run a set and require of actors a sense of liberty and freedom and exploration and failure into brave achievement.
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I don't remake any movie, whether old or of other language.
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When I was living in New York, I had this slightly wannabe bohemian existence and took up painting, at which I'm appalling. I also bought several guitars.
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What we call a poem is mostly what is not there on the page. The strength of any poem is the poems that it has managed to exclude.
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I was always ambitious - not to make money: to be published.
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Japan has only 100m people. Asia has 4bn. At least one-third, maybe nearly half, will become middle class, and this is a big opportunity for Japanese businessmen.
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The way people deal with me - they'll go overboard in trying to be politically correct and make a mess of it. Everyone's so worried about what they're saying to everyone else, that they don't talk very much.
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These were all middle-class kids from literary backgrounds, joining this sort of train going by, this pop train, jumping on. Whereas the rest of the rock scene, you'll find that there's mostly working-class people.
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I was so naive as a kid I used to sneak behind the barn and do nothing.
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I don't know if a song is going to be a hit or it's going to flop. I never know. I just do the music and if people like it, they like it.
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To invite people to dine with us is to make ourselves responsible for their well-being for as long as they are under our roofs.
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Many people talk much, and then very many people talk very much more.