Marc Guggenheim Quotes
In the writers' room, when we talk about each episode, we first talk about the character journey of the episode.
Quotes to Explore
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Jazz is smooth and cool. Jazz is rage. Jazz flows like water. Jazz never seems to begin or end. Jazz isn't methodical, but jazz isn't messy either. Jazz is a conversation, a give and take. Jazz is the connection and communication between musicians. Jazz is abandon.
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The prevailing - and foolish - attitude is that a good manager can be a good manager anywhere, with no special knowledge of the production process he's managing. A man with a financial background may know nothing about manufacturing shoes or cars, but he's put in charge anyway.
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Beauty pageants work as a platform from where you can reach out to many.
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There are times I think it might be nice to have deep-pocketed limited partners to provide me with some cushion. But I enjoy having no responsibilities except to myself, financially.
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The most successful Subway customers, of course, are the ones who can't keep their hands off their sandwich. Join your artist in the sandwich assembling process. That sneeze guard is a suggestion. That sneeze guard is trying to intimidate you into staying on the customer's side of the partition.
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People are wired for lots of things. We're wired for novelty. We're wired for humor. We're wired for new pieces of information that surprise us in some way or add value to our lives. We're wired for fear.
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I turned into a monk when my mother went to learn Buddhism in Burma. While she learnt at the monastery, I used to roam around with a begging bowl and ask for food.
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The same way you can see me sit at a table in a movie and be six different people, the mother and the uncle and all these different things, when I'm in the studio, I can do that, too. I'm not trying to be a recording artist and have a certain type of music for the radio.
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It is only the forcible propagation of conventional Christianity that makes the agnostic so bitter toward the church. He knows that all the doctrines cannot possibly be true, but he would view them with toleration if he were asked merely to let them alone for the benefit of the masses whom they can help and succour.
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When Liza Minelli was a child, she used to sit on my lap and call me Uncle Sammy.
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A man has no more character than he can command in a time of crisis.
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My family were very poor. I am one of nine siblings: two girls and seven boys. Only my brother and I play in Europe, and then three more work in Europe, and another plays in Tunisia. This family is a footballing family, but our lives have not always been good.
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I'm lucky to come from a very musical family. If you put a record on and turn the volume up, there's a pretty good chance you'll have a lot of people dancing very quickly.
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I don't plot with huge detail, just big moments and important elements, and then I have a structure but can fly by the seat of my pants when I write.
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The strips about the military do seem to provoke moving and thoughtful responses. It's nice when the strip resonates, but more importantly, I need to know when I'm getting something wrong. The last thing I want to do is contribute to the suffering that wounded warriors already endure.
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I see myself as sexy. If you are comfortable with it, it can be very classy and appealing.
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If you don't know where you are going, you might wind up someplace else.
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I was impressed by the Taj Mahal. A good bit of work, well looked after, worth paying money to see.
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I've always been very ambitious, and I always knew that I wanted something else. Cuba was a good start, but I knew I wasn't going to develop a real career, and I wanted to get closer to filmmakers that I wanted to work with.
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On the contrary a film can promote the idea of change without any political message whatsoever but in its form and language can tell people that they can change their lives and contribute to progressive changes in the world.
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The public character of every public servant is legitimate subject of discussion, and his fitness or unfitness for office may be fairly canvassed by any person.
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My characters are galley slaves.
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In the writers' room, when we talk about each episode, we first talk about the character journey of the episode.
