Marc Guggenheim Quotes
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It's funny: I like being surprised as a reader, so it's difficult for me to spoil my own stuff.
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'The Sixth Sense' was a very enjoyable, successful movie despite the fact that there were plenty of people, including myself, who saw the ending coming.
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I'm not much of a salesman. I prefer the soft sell and the honest approach.
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Try to imagine a character like Batman whose whole life has been about fighting crime, whose whole existence and identity is his war against criminals, and he wakes up one morning to discover there are no criminals. What happens to him?
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Everything is always on the table. I think it's one of the things that's made 'Arrow' special. But we also all collectively feel like 'The Flash' needs to stand on its own two feet, now that it's gotten its launch from 'Arrow.'
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There's a lot of downtime where you're filling your car up with gas, you're driving to work, you're stuck in traffic - it's Los Angeles, and so much of it is a car lifestyle.
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The nice thing about 'Arrow' is we never say never on the show. Hopefully the show will have a nice long life, and all manner of things can potentially happen.
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In DC Comics, Blue Devil is a superhero who came out of a movie.
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I think comic books have come an incredibly far way, and I want to make sure we don't take a step back. I certainly don't want my name on a movie that would take it back.
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If Hollywood is going to keep going, the writers need to be creatively fulfilled by creating their own things. We need to generate new ideas, so we're not always cannibalizing old ones.
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The thing that I've learned, not just from writing comics but also from writing television programs like 'Law & Order,' is that you can fool some of the people some of the time - but you can't fool all of the people all of the time.
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I think it's very hard to talk about these characters in a closed-ended, sort of non-sequel way, especially characters like The Flash and Green Lantern, which have such rich, long histories.
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Time management is really key for me.
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Fortunately, the DC Universe is full enough and replete enough with every kind of character that you could want, that it's not that hard to find the right character. Sometimes it's nothing more than an Easter egg, or a name drop, and sometimes it's someone like 'Deathstroke,' who is a huge part of the DC Universe.
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The one thing that's always very safe to say with 'Arrow' is never make assumptions.
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I noticed that 'Lost' had sort of worn out our welcome; because of 'Lost,' audiences were no longer being patient with slow reveals: they wanted answers quickly, and they wanted story to develop much faster.
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All of the stuff I can't afford to do on a TV budget, I just put into the comic book because you're really only limited in a comic by your artist's imagination.
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As always, things happen sooner rather than later on 'Arrow.'
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One of the great things about the 'Arrow' crew is that no one is settling for what they did yesterday. They're always thinking about what they can do tomorrow.
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We've enjoyed laying the foundation for 'The Flash' series.
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I do believe that even if you're the most clever person around and you figure out the 'whodunit' and you're not surprised - that shouldn't prevent you from enjoying the story.
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One of the things I do well - I think, anyway - is combining different tones.
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The goal, first and foremost, is to tell a satisfying - entertaining - story.
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I remember the dark days when, thanks to 1966's 'Batman' with Adam West, comics were considered the ugly stepchild of popular culture.