Antoine Fuqua Quotes
I think that the dialogue between police officers and the black community has to get better, but not better in a way where, 'Oh, let's talk about it when something horrible happens.' The dialogue has to be going on consistently, every day.
Quotes to Explore
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Building codes are a good thing. People who throw rocks at inspectors are being naive. It's a lot like police officers; we want them around unless they stop us for a ticket. It's the same with inspectors.
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When in life do you get a black and white printout that says this is what you should do? It just doesn't happen.
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This is going right to the police. So, it's a very dangerous precedent.
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I firmly believe, only because I've been doing this for so long, every show takes three years. 90% of them don't get three years. It just does. It takes a long time to build a community, build a friendship with your characters. It's hard for people to grasp on and make them care about you.
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'Black Messiah' is a hell of a name for an album. It can easily be misunderstood. Many will think it's about religion. Some will jump to the conclusion that I'm calling myself a Black Messiah. For me, the title is about all of us. It's about the world. It's about an idea we can all aspire to. We should all aspire to be a Black Messiah.
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The less I talk about being black, the better.
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In a typical history book, black Americans are mentioned in the context of slavery or civil rights. There's so much more to the story.
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Any successful black person will have to face suspicion within his or her own community about his or her loyalty to other blacks.
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Saturdays are set for antique shops. Williamsburg in Brooklyn has some good ones. I get in there and start meddling around with dusty boxes and rickety, worn-in stuff. I like it when I find something with someone else's name on it.
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I did community theater in Georgia and called myself a ballet dancer.
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I try to be very honest in my writing. It's amazing, though, to think that people are responding to what we do, but it's okay if they're responding in a positive way too, because I think just creating anything at all to put out there is a gift.
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I love black lingerie and white shoes, and I love knives.
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Baby, black promoters oppressed me before white promoters ever got hold of me. Don't talk skin to me.
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I have always known that New Hampshire is a special place, with a community of people who come together to solve our common challenges.
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Sometimes even when the book is over I don't know who's good and who's bad. It's really more interesting, I think, to write about gray characters than it is to write about black and white.
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It is because the fight against the harshest aspects of unrestricted capitalism is therefore a political problem and not an intellectual one that community action remains so essential.
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I always thought if I had a band it would have the energy and feel of early Police, since that's where my roots are, and then the harmonies of the Eagles, and the technique of King Crimson or something like that. Fast, up-tempo, beat-the-hell-out-of-the-drums, because that's my style. Energy, but sophistication, rhythmically and melodically.
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Most makeup campaigns are not in black and white.
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I grew up on stages. Not standing outside the 'Royal Court Theatre' wistfully, but with enthusiastic people from the community.
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I am admiring of my fellow peers, black filmmakers and black actors and actresses.
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Anyone who can walk to the welfare office can walk to work.
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My dad is the first to say that Mum deals with the mortgage payments, the bills, the rota, things like that, while my dad is the emotional one who keeps the home together. He's the nurturer, but together, they work perfectly.
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I think that the dialogue between police officers and the black community has to get better, but not better in a way where, 'Oh, let's talk about it when something horrible happens.' The dialogue has to be going on consistently, every day.
