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What I learned is, don't forget who you are, because that's what's going to make you a filmmaker.
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The story is also about the battle between Arthur and the Saxons. The Saxons were destroying everything they came across and Arthur was left when Rome was falling because this movie takes place in 400 A.D.
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My grandmother was a huge western fan. She'd have me watch with her. 'Shane,' 'Bonanza,' 'Duel in the Sun,' I saw them all with her. I used to watch them until the TV turned to snow.
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What's it like finding out Denzel Washington wants you to direct his next movie? It's like getting a phone call from Muhammad Ali or Michael Jordan saying they want you to coach them.
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You have to feed your soul and spirit, but you also have to be a professional and remember the business that you're in. Everything is not your passion project.
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The challenge for a director - and I think a lot of directors feel the same way - is that today we have to put on a producer's hat, too. Meaning, you have to sometimes think of it being 'business show,' not just 'show business.'
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People in Hollywood go home to their wives and children who look like they do. If you're in that position, your natural thought pattern is sometimes to think, 'Superman, oh yeah he's white.' You can't get mad at somebody for doing that. It's the world they live in and for some, they only live in that bubble.
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My responsibility is, I'm always trying to look for new people of color or even artistic people who need a chance.
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When you're sitting ringside, there's a primal thing there that hooks into violence and excitement. It's just two guys going at it in the ring - there's no team, no one to pass the ball to - and there's a certain excitement to that.
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I've become friends with Michael Mann and Oliver Stone; I've seen those guys work and that was great to see.
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I'd like to think that the door is always open for just the best actor for the role, you know? Race or gender shouldn't have anything to do with it, unless the character or story is focused on that for some particular reason.
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Some men don't gel when it comes to work - you have different work ethics, different opinions, different points of views, different methods of filmmaking - and we didn't gel.
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If you win, if you make money. If you do quality work, then other people of color, whatever color that is, can get in the door.
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I only pay to take my son to the movies, because most of the time I only watch European movies, independent movies, or screen them privately. But I like to go to movies with my son because it's still fun; it reminds me of why I make movies.
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Each time you see a Western movie, it's a good reflection of where things are in the world at that time. It's probably one of the purest forms of cinema that really tells you where the world is.
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I watched the 'Seven Samurai' a lot because I loved it growing up. I can't describe to you how powerful that was. When you're a kid, you can't watch an almost-three-hour movie, but this was a war I just never saw before, with these samurai. I could relate to it, just being poor.
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Being a kid growing up with Kurosawa films and watching Sergio Leone movies just made me love what it could do to you, and how it could influence you - make you dream.
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I was a fan of baseball growing up. We played baseball; I used to play in an A&P parking lot. It wasn't always easy to find a good baseball field to play in.
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When you're a director, and you look at Scorsese's work, he's always challenging us to push the envelope and break the rules. Someone like that is necessary and a godsend.
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It's a dumb question, because I don't look at things as a black director, just as a director, so ask me as a director first and we can segue into the colour thing later.
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So it's hard to be an artist and be true to the reality of the world you want to create and also make it entertaining and successful financially.
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It takes all sorts of people to come together to fight tyranny. It's not about one race anymore.
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I box every day. I have a gym built wherever I go, so I still got my gym. Every day, I try to get in there and work out the mitts.
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Making a movie to entertain people, that's just as important as telling people about our stories.