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So it's hard to be an artist and be true to the reality of the world you want to create and also make it entertaining and successful financially.
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Making a movie to entertain people, that's just as important as telling people about our stories.
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I box every day. I have a gym built wherever I go, so I still got my gym. Every day, I try to get in there and work out the mitts.
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We've been fighting our whole lives to say we're just human beings like everyone else. When we start separating ourselves in our work, that doesn't help the cause. I've heard it for years: 'How do you feel being a black filmmaker?' I'm not a black filmmaker, I'm a filmmaker. I'm a black man, I have black children. But I'm just a filmmaker.
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I grew up watching 'Rocky.' I still love that movie, the original one.
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We talk about how hard it is now. But if we look back at the '60s, we actually had a president that was assassinated. We had riots, we had Vietnam, Martin Luther King, Malcolm X, the FBI, and the Black Panther war. There was so much happening at the time where it felt like America was coming apart at the seams.
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If you are wearing the right jersey, people rallying in around you, and hugging each other when you win, and there's so much love and excitement when you're together. And then people seem to walk away, take their jerseys off, and start focusing on the color of your skin. It didn't matter for that couple hours at the game - why does it matter now?
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I started studying mythology, just on my own. Joseph Campbell, mysticism.
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But I like to go to movies with my son because it's still fun; it reminds me of why I make movies.
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You don't just have to see superhero movies. Ultimately, those movies are westerns - superheroes are good guys fighting bad guys in a landscape. In westerns, that divide couldn't be any more clear, but the only superpower you have is that you're a quicker shot than the other guy.
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I became a director just for the love of movies, because of the power of cinema.
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Bruce Willis. Pain in my ass, no problem about that. We just didn't get along. We got along off camera, but shooting we just didn't get along.
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I think men under pressure - I mean, that's what brings out the worst and the best of us. I like to explore that quite a bit in my characters because I don't see a lot of it on the screen that moved me like the films that I grew up with - that are honest, at least, about honest emotions and honest heroism.
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In our culture, I think that there is no markers anymore. Young men don't really have something that says you're a grown up now, until you have a baby.
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I like the opportunity to make films.
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Kurosawa is the sensei, the Shakespeare, of filmmaking.
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'Cause movies are human drama, that's it.
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It's a hard line to walk, man. Cause you know you want to make this movie, you want to make it dark and real, you want to show all this stuff but unfortunately you can't always do that.