Anton Seidl Quotes
I learned, too, how it was possible with the help of the picture and action to transform an apparently insignificant violin passage into an incident, and to lift a simple horn call into a thing of stupendous significance by means of scenic emphasis.
Anton Seidl
Quotes to Explore
Whenever I go to a new city, whether visiting or vacationing, I would always make that a point to get to the record store early on, just to get my bearings and see what was going on around town.
Gary Calamar
The fallacy of the neoclassicals is their tenet that total employment, though hit by shocks, can be said always to be heading back to some normal level.
Edmund Phelps
I couldn't pick just one defining breakthrough role. I like to think that they're all a part of me.
Natalie Dormer
To me, form is not about scoring runs but how you feel about your game. Sometimes the runs are not there, but you know you are batting well, and that is good form for me.
Gautam Gambhir
I knew nothing about martial arts. And I don't really like it! But in the film, I not only had to pretend that I knew all about it, I had to be the best at it. That was very difficult.
Ziyi Zhang
I think that Indy is special to me. The greater the distance between the last time I drove an Indy car and the next time, I wouldn't like that to be too big.
Danica Patrick
People who come up to me are drummers or fans of the band. I don't get it too much, but I'll be somewhere and someone will have me take a picture or something.
Chad Smith
Red Hot Chili Peppers
For us, the conversation is always about getting paid what we feel like we're worth and getting paid as the sport grows and as we help grow the sport.
Megan Rapinoe
He reminds me of a completely different version of Robbie Earle.
Mark Lawrenson
As a child, I was just never that interested in the lives of my favourite actors, like Cary Grant. I do wonder whether knowing too much about someone's personal life interrupts an audience's ability to suspend disbelief, to really invest in the characters. My preference would always be that people engage with the work.
Chiwetel Ejiofor
In the end, the key ingredient for public life is imagination. You imagine something better, you try to bring the people with you.
Paul Keating
I learned, too, how it was possible with the help of the picture and action to transform an apparently insignificant violin passage into an incident, and to lift a simple horn call into a thing of stupendous significance by means of scenic emphasis.
Anton Seidl