Antoni Tapies Quotes
The material presence of the work only serves as a conveyer launching an invitation to the observer to take part of the comprehensive game of the thousand and one emotions and visions.
Quotes to Explore
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I enter my studio at 9 a.m. I have lunch here, I return right away to my work and I go out to dinner at 8 p.m. My daily tasks vary very much.
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It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized.
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You can't get emotional about your work.
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I like elegance. I like art nouveau; a stretched line or curve. These things are very much in the foreground of my work.
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What's better, a poetic intuition or an intellectual work? I think they complement each other.
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If you're passionate about your work, it makes the people around you want to be involved too.
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If you want to accomplish twice as much, you have to work twice as hard.
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This old notion that work is drudgery is nonsense. Most days, even back when Xerox was under siege, I could not wait to get to the office.
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Quality is everyone's responsibility.
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You don't have to buy from anyone. You don't have to work at any particular job. You don't have to participate in any given relationship. You can choose.
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I've learned not to hide behind a veil of irony - to talk about my work in a more honest way.
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It's much easier to work with an unknown.
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Most of Planned Parenthood's work focuses on health care for low-income women: things like screenings for breast cancer and diabetes, and family planning.
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My work at R.E.I. was incredibly fulfilling and rewarding, especially the stewardship elements of it, the ability to connect young people to public lands close to home.
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The good news is that economists are intelligent, engaging and often charming folks. The bad news is their work is often of little use to investors.
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Playing live is everything. Sometimes being on the road is hard, and it's a lot of work, and tiring. From a musical point of view, you improve all the time. Not only that, but you learn how to deal with people and deal with energy in a live setting.
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I dance. A lot. I work grief and sadness out of my body when I dance, and I bring in joy and rhythm.
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I've never seen hard work fail.
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The actors that I love to work with, they're hard on me. They're pushing me.
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You can tell when an actor or actress cares about their work. It's really clear.
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If I see an orchid that's fantastically expensive, I'll buy it. It's worth it, for no other reason than it gives me pleasure.
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I just don't want to be the damsel in distress. I'll scream on the balcony, but you've got to let me do a little action here.
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I did a lot of trapeze stuff when I did 'Pippin' and continued to do it afterward. Flying is so fun, and I was used to the harness idea, but these harnesses are like intense, full bodysuit things.
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The material presence of the work only serves as a conveyer launching an invitation to the observer to take part of the comprehensive game of the thousand and one emotions and visions.
