Antoni Tapies Quotes
In the potential of absurdity, hiding in the disparate combination of the various different subjects which in themselves are nothing but daily items equally in the exclusive representation of a normal item taken out of their usual context , is by far the most radical - in its effect comparable to a Japanese Zen koan - paradox to be witnessed, which modern art has produced, one of the most forceful impulses that generated from it.
Quotes to Explore
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I think you grow up every year, every day. You learn something new and try to really worry about what's important in life.
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There aren't traditions of freedom in a place like Iraq. They're going to have to come to grips with a concept that they hadn't been allowed to conceive before.
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I'll always be back to the stage. I have no doubt that the stage will always call me back. There will always be a character that no one else can play, and I'll be back to play it.
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'The more expensive the better' is kind of the American way, and if you spent $600 for a sweatshirt, then that makes it better.
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I weighed 25 stone, and I didn't stand nine feet tall, so the weight didn't sit well on me. As big as a house? No. I was as big as an estate.
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Each of our 900 shows so far was different - maybe that's what makes the fans come back to our gigs time and again. And that they're always part of the show. Phish concerts are a communal experience.
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I guess I'm lucky that I've been able to play a wide range of parts and a wide range of types of productions - I haven't felt much typecasting.
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As feminism becomes more integrated into mainstream publications and conversation, I feel weary of an obsession of celebrity culture masquerading as activism or as conversation or action. It's clickbait.
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Apparently, Daniel Craig said I'd be a great Bond. Daniel, why did you say that? Dropped me right in it! What an honor it would be, but also, what an indication of change.
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My uncles and other relatives are against encouraging girls in every aspect, and that includes sports. I hardly interact with them. My parents are more open. They back me all the way.
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I wrote 'Buried Child' in a trailer at an old ranch house we had in California.
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If my client calls me and says, 'I'm going to a friend's premiere,' I'll say, 'Come over and let's do something cute.' And I won't bill them for that.
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Power in politics, sovereignty in America is with we the people, and that is the path to turning this country around: empowering the people.
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All I did was ask for rights. I didn't attack anyone. I didn't harass anyone. I didn't oppose the system or the country or the authority. All I said is, 'Why can't I drive?'
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How will we defend ourselves if the Patriot Act expires? Well, perhaps we could just rely on the Constitution and demonstrate exactly how traditional judicial warrants can gather all the info we need - and how bulk collection really hasn't worked.
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A Constitution should be short and obscure.
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I've always been drawn to the idea that small choices in our lives could have drastic effects on our future.
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And that's what I really love, is finding a script and fantasizing and going to a different world and kind of portraying a character that is interesting. Because other lives interest us, that's why we read magazines like 'People' and try and fascinate and drool over what other people are doing.
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I never had the idea of moving to Paris and becoming something. I liked the idea of living in Paris because it seemed to have so many parts of life I really enjoyed. The people there seemed to prize literature and art, food and drinking, a more hedonistic way of living. My ambition was to be cosmopolitan. I grew up in the suburbs. I went to college in Maine. I had a dream in my head that if you wanted to be the most urbane, living-life-to-the-fullest kind of person, Paris was the place to be.
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A woman of faith is fearless. There is no ambiguity, no uncertain trump in her life. She can live a principled life because she studies the doctrine and teachings of a perfect teacher, the Master. She is a noble example to all who know her.
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People think they have a perfect idea of who you are from a four-second Snapchat video... and fake blogs, stories, magazine covers. In reality, that's not the case. Nobody knows who I am except family and my close friends.
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As full as a piper's bag; as a tick.
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In the potential of absurdity, hiding in the disparate combination of the various different subjects which in themselves are nothing but daily items equally in the exclusive representation of a normal item taken out of their usual context , is by far the most radical - in its effect comparable to a Japanese Zen koan - paradox to be witnessed, which modern art has produced, one of the most forceful impulses that generated from it.
