Antony Johnston Quotes
My process is kind of intuitive - I think about how a character will speak according to their station and personality, occasionally making notes with guidelines for their mannerisms, and then I just sort of crack on and write it.
Quotes to Explore
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A book is not an example of 'women's writing' simply because it is written by a woman. Writing may become 'women's writing' when it could not have been written by a man.
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Los Angeles is peopled by waiters and carpenters and drivers who are there to be actors.
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I can't say I'm having trouble with my husband or that I have a stubborn child.
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When people don't understand my work, I don't feel like explaining.
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People are wired for lots of things. We're wired for novelty. We're wired for humor. We're wired for new pieces of information that surprise us in some way or add value to our lives. We're wired for fear.
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Choreography and creativity - it's my matrix; let's see where we can move.
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I did every job under the sun from bartending to ushering to temping.
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I like a twisted sense of humour. On 'A History of Violence,' David Cronenberg and I would be doing the grimmest scenes and laugh a lot.
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My first book was poetry, but I didn't write it first. I wrote it third. So my first two books were prose.
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In the end, you have to protect yourself at all times.
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When I grew up, I thought I was Jewish. Now I don't consider myself Jewish. I consider myself a Kabbalist.
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A prince should be slow to punish, and quick to reward.
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A man has no more character than he can command in a time of crisis.
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Even as a kid, I was a businessman. I figured out that if you plucked all the berries off my neighbor's tree and smashed them up, they made a Nickelodeon Gak-type consistency. I sold them to all the neighborhood kids and made stacks of quarters. Of course, the berries were poisonous, and I got in all types of trouble.
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I have been working for over 30 years and am always wondering about where I am and where I am going. It does not stop and become a fixed event of achievement.
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Oil is ancient wealth in the ground.
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I don't plot with huge detail, just big moments and important elements, and then I have a structure but can fly by the seat of my pants when I write.
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I like jazz, rock n' roll, some hip hop - I can't think of any music I don't like.
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I've never seen 'Gone with the Wind.' I don't know if that's something to be embarrassed about, but I know that I should have seen that movie by now.
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Seeing your baby in pain and seeing them crying and that sort of thing, and you're tired, and you can do nothing about it - that's, like, one of the most demoralizing things I can think of.
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What sometimes goes on in all sorts of Christian institutions is not formation of people in the character of Christ; it's teaching of outward conformity. You don't get in trouble for not having the character of Christ, but you do if you don't obey the laws.
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The studio experience fluctuates depending on who you work with, it's not like it's all one experience. Every studio is different, every producer's personality is different. You never know what you're going to do.
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Plot is character revealed by action.
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My process is kind of intuitive - I think about how a character will speak according to their station and personality, occasionally making notes with guidelines for their mannerisms, and then I just sort of crack on and write it.
