Antony Tudor Quotes
I would like to tell all dancers to forget themselves and the desire for self display. They must become completely absorbed in the dance. Even in a classical variation there should never be any thought of a dancer doing a variation--he should become identified with it.
Quotes to Explore
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I'm not a big fan of talking about dying. And then I make a movie where I kill everybody.
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I'm pretty gross. When I talk I can be gross and crude.
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I felt I had to solve everyone's problems.
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My husband passed away a long time ago, and of course a lot of people have courted me. I've been taken to dinner and also to things like Larry Hagman, in particular years ago. And more recently, of course, little Hugh Jackman - and he's too young for me though, frankly.
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Usually, it's the guys who want to get better so they can get more playing time who are always in the gym.
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I'd love to live in Ireland but I'd like to live as me, not what someone thinks I am. People don't understand - I lived there before I was famous.
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As a child, I had a serious illness that lasted for two years or more. I have vague recollections of this illness and of my being carried about a great deal. I was known as the 'sick one.' Whether this illness gave me a twist away from ordinary paths, I don't know; but it is possible.
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If you want to be happy, make others happy!
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If in preaching the gospel you substitute your knowledge of the way of salvation for confidence in the power of the gospel, you hinder people from getting to reality.
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I've had a good life, and was born to and among people I've admired and loved.
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It is the mainspring of life, courage. And courage has many faces.
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All action results from thought, so it is thoughts that matter.
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I've had my heart broken and then gone out and done dumb things.
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I don't sit and write stand-up material; I come up with an idea onstage.
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The No. 1 cause of forest fires is trees.
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Someday, I have no doubt, the dead from today's wars will be seen with a similar sense of sorrow at needless loss and folly as those millions of men who lie in the cemeteries of France and Belgium - and tens of millions of Americans will feel a similar revulsion for the politicians and generals who were so spendthrift with others' lives.
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You have to turn the noise off a little bit. Fortunately, I'm not really on social media. I've been able to live in a bit of a black hole.
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From day one, I got addicted to being on stage and getting the applause and laughter.
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Failure. It doesn't exist. 'Failure' is just what happens when we lose perspective.
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I learned a lot from Rudimental's live set. It's all about good feelings, good vibes and a good time, and that's what I want from my shows. I like big, bolshy performances, like Beyonce. I can't dance like her, though.
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Ultimately, it doesn't matter to the world whether you paint or dance or write. The world will probably get by without the product of your efforts. But that is not the point. The point is what the inner process of following your creative impulses will do to you. It is clearly about process. Love the work, love the process. Our fascination will pull our attention forward. That, also, will fascinate the viewer.
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As I got older, I got more Victorian and morbid. I got into things that circled around death, like skulls or morgue photographs or handwritten diaries. They can be almost haunted with all this history, and you project onto it and then it gets onto you.
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I would like to tell all dancers to forget themselves and the desire for self display. They must become completely absorbed in the dance. Even in a classical variation there should never be any thought of a dancer doing a variation--he should become identified with it.
