Antony Tudor Quotes
My body can't demonstrate. It isn't willing to explore movements the way it used to. I've always had to find the movement in myself then show it in myself. If I've got the sense of movement for the character, I expect the dancer to get it too.
Quotes to Explore
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I tour with a piano, actually. Luckily I am able to hire people that deal with it completely and magically a piano appears on stage and then magically disappears when I leave.
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There is nothing you can do to assuage your conscience when you commit sins. Crime is a spiritual assault on the soul.
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Even before it opened its retail arm, Beigh was renowned among pashmina cognoscenti for the quality and complexity of the work produced in its workshop, a large, airy, sunlit rectangle of a room directly across from its second-floor shop.
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A lot of people go in and have to create their own characters, and they do fine with it.
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I'm still learning my craft, and I've been writing since I was nine.
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I've never been on a date.
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I hate recording all the shows for the week in one day, because I want to be able to mention current events and pop culture. If Madonna punches Britney in the face today, I want to reference that on 'Wine Library TV' tomorrow. Monday's episode is always the best, because it's hot off the press.
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I always have bananas with me for energy.
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According to the perverse aesthetics of artistic guilty pleasure, certain books and movies are so bad - so crudely conceived, despicably motivated and atrociously executed - that they're actually rather good.
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What St. Francis and St. Dominic have done, that, by God's grace, I will do.
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John Mayer and Jack Johnson are two of my all-time favorites. I love Colbie Caillat and really cool, beach-y, guitar, acoustic type music.
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I never look at how many songs I have or how many girls are there in a movie. If I like my character, I play it.
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Let's have some new cliches.
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Truth is not a matter of personal viewpoint.
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I still enjoy doing music. I'm not going to stop doing it, and doing it the way that I feel it should be done.
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They that are of the flesh cannot do the works of the Spirit, neither can they that are spiritual do the works of the flesh, even as faith cannot do the works of unbelief, nor unbelief the works of faith.
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There's many women now who think, 'Surely we don't need feminism anymore, we're all liberated and society's accepting us as we are'. Which is just hogwash. It's not true at all.
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Too often, campaigns are all flash and no substance.
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I was rubbish at school.
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Could it be, he wondered, that the goldenness was the Hazers' life force and that they wore it like a cloak, as a sort of over-all disguise? Did they wear that life force on the outside of them while all other creatures wore it on the inside?
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My Portuguese uncle had a Portuguese version of a ukulele. The family would pull it out after dinner and play Portuguese folk songs on it. I couldn't wait for him to finish so I could get my hands on it. I was seven or eight years old. And he used to have a Fender amp in his house and an electric guitar. I would spend hours making sounds.
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I take bits and pieces from everything. But I think the Method can be very isolating, and sometimes it's more about ego than playing the character truthfully.
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I feel like the one insight that's extremely comforting to me about the world is that we all share the same pool of emotion that we draw from.
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My body can't demonstrate. It isn't willing to explore movements the way it used to. I've always had to find the movement in myself then show it in myself. If I've got the sense of movement for the character, I expect the dancer to get it too.
