Sally Field Quotes
Quotes to Explore
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Fitzgerald was a modernist.
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I tend not to wear ties very often. I'm usually in old stuff: Hermes or Marc Jacobs boots and jeans and a T-shirt and a leather jacket or a jean jacket.
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I'm kind of a private person.
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We have the world to live in on the condition that we will take good care of it. And to take good care of it, we have to know it. And to know it and to be willing to take care of it, we have to love it.
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In writing, I search for believability, simplicity and emotional impact.
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I came to London. It had become the center of my world and I had worked hard to come to it. And I was lost.
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Like most ghetto kids I knew it was important to be 'somebody' so I became a good soccer player, because excelling at a sport seemed to make you special.
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The sound of the blades on the ice in the morning is like smelling fresh coffee.
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Most of my advances were by mistake. You uncover what is when you get rid of what isn't.
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I wasn't really taught about the value of money. I just learnt it as I grew up, but I do remember my dad telling me that it was important to always have some savings, and that stuck with me. I've always believed that putting money aside is a good thing.
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I think the only time I show my emotions and anger is on the cricket field; otherwise, I've mellowed down. And with age, I think, with age you always end up mellowing down.
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I think Donald Trump taps into an anger that I hear every day. People are angry that a commonsense thing like securing the border or ending sanctuary cities is somehow considered extreme. It's not extreme; it's common sense. We need to secure the border.
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Three thousand people died at ground zero. Their families are entitled to a little bit of respect, to respect the memory of those poor people that died there. And how about the families of all those soldiers that died in the two ensuing wars? Aren't they entitled to a little bit of respect - the kids, the wives, the parents?
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Faith is not something to grasp, it is a state to grow into.
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God takes care of imbeciles, little children and artists.
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I have a tendency to think that when you portray baddies in movies, they come out more human than good guys.
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Progress makes us lose the feeling of a ceremony that cooking should have. It has significantly shifted our values so that now it seems to us that only activities with an economic reward are worth pursuing.
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I'm a big believer in keeping the stage directions really tight.
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Few people realize what a handicap it is to be what people call a beautiful woman. I'm glad, of course, that I don't look like an unmade bed, but too often, I'm just taken at face value. And there aren't many men who believe a beautiful woman can have any brains.
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It's really hard for me to commit, one way or the other. I was just always creating and seeing what came out.
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The only thing documentary filmmakers have to work with, at least the way I make films, is trust. That's been true of everyone from James Carville and George Stephanopoulos to the kids in 'American High' to the soldiers in 'Military Diaries' to Anna Wintour to Dick Cheney.
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I had people in 'Entertainment Weekly' talking about how they wanted to throttle me because they thought I was too disgustingly cute, as if that were my fault, you know, as if that was my fault, not the fault of directors and producers and such.
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The bigger you become of a celebrity, the bigger the expectations, the pressure on you - to make change, to say what people want, to target the people they want to target. Fame is toxic; it is quite toxic.
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I have never been beautiful in cliche terms.
