Ben Affleck Quotes
I've consciously taken on material that's a bit too much for me but not an overreach. The first movie, just about performances. 'The Town,' I learned how to work broader material, develop tension, direct bigger scenes, action sequences. 'Argo,' I experimented with film stock, widened the scope of my geography.
Quotes to Explore
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Whatever work you do, you think are you doing this for the good of the nation? That's the basic training. The other basic training is discipline. Your life should be disciplined. The other thing they say is what work you get, do it well.
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I think of other artists as generous when I get inspired by their work. That's why I like curating. You don't want to take someone else's art and have your way with it. You've got to be respectful of them.
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Trust and value your own divinity as well as your connection to nature. Seeing God's work everywhere will be your reward.
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I'm not a movie star like other actors in the way that I need to walk with a bodyguard.
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The implication that women work for pin money and can manage on a worse pension, presumably by relying on husbands, riles. But even more galling for women is that few government ministers seem to even appreciate the value of the work they do.
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Be prepared, work hard, and hope for a little luck. Recognize that the harder you work and the better prepared you are, the more luck you might have.
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Nazanin Zaghari-Ratcliffe was not engaged in subversive work; she was an apolitical project manager with the Thomson Reuters Foundation, the charitable arm of the Reuters news agency.
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I need to work to feel well.
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In committing an estimated 3,000 U.S. forces to join international Ebola relief efforts in West Africa, President Obama seems to be fulfilling the plans of highly influential progressive groups who seek to transform the American military into more of a social-work organization.
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Homer's work hits again and again on the topos of the inexpressible. People will always do that.
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Managers in all too many American companies do not achieve the desired results because nobody makes them do it.
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Teachers believe they have a gift for giving; it drives them with the same irrepressible drive that drives others to create a work of art or a market or a building.
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It is very difficult to be taken seriously when you're introduced at a party to somebody as the fourth Mrs. Rex Harrison.
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And those Texas sunsets... I work a lot in Africa: Texas and Africa have the best sunsets on the planet, that I've ever seen.
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I'm not someone who likes to have my picture taken, let alone see it plastered all over the place.
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It was a privilege to direct the music video for Adele's beautiful, heartbreaking song, 'Hello.' When I first heard it, all the images appeared clearly in my head - and her trust and generosity allowed me to work with abandon artistically and emotionally, like she always does. It made me extremely proud.
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I work in a very tough area of Britain. There is not much hope sociologically where I live and work, they're all sorts of conditions of poverty and deprivation and so on, I really do believe that the message of the kingdom of God is for places like this.
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Material interests are not the only guiding light.
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I'm doing something called 'Olivia Twisted,' that will start next year. There may be something in between, but right now, that's the one that I'm slated to do next year. That's a very ultra-modern version of 'Oliver Twist,' and it's female-driven. It's an action film, and it's kind of dark and gritty.
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I am in total ecstasy with where my life is now.
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Also, I realized a lot of kids are listening to me. Whether I want to be or not, they're looking up to me.
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The real problem with big issues like Medicare is that both parties have to be brave at the same time. Every pollster will tell you not to do that to get partisan advantage. Too many people here are willing to deliberately harm the country for partisan gain. That is borderline treason.
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It was great to essentially have two protagonists where you're sympathies could go back and forth between the two of them, throughout the season.
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I've consciously taken on material that's a bit too much for me but not an overreach. The first movie, just about performances. 'The Town,' I learned how to work broader material, develop tension, direct bigger scenes, action sequences. 'Argo,' I experimented with film stock, widened the scope of my geography.
