Ari Graynor Quotes
Quotes to Explore
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I always get sick of these conversations where people are so obsessed with pixels, with high definition, and even with technology in general. I find it just dull and heartless. And so I wanted to use only the worst machines.
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I really like performing for people.
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I like talking one-on-one to everyone. I find it really sort of cathartic and interesting to hear people's opinions.
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I worked as a telemarketer for an SAT-prep company. That was the worst of it, because I had to call people in post-Katrina New Orleans and offer them this very, very expensive SAT class. And I'm not even a good salesman.
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There are so many more women and men who deserve opportunities. People of color. Period.
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You well know, sir, that when the Constitution was submitted to the People of the respective States for their adoption or rejection, it awakened the warmest debates of the several State conventions.
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When I'm around black or white people, I'm always in the middle. Especially when I am around black people; they will really tell how they feel about white people regardless of the fact that I'm also white and have white relatives. It's very interesting and can be really hard.
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Some people are so busy learning the tricks of the trade that they never learn the trade.
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We are seeing a great awakening. A national movement of We the People, brought together by what unites us - a shared love of liberty, and an understanding of the unlimited potential of free men and free women.
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Eliza Factor's first novel, 'The Mercury Fountain,' explores what happens when a life driven by ideology confronts implacable truths of science and human nature. It also shows how leaders can inflict damage by neglecting the real needs of real people.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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Despite a certain amount of rhetoric, such as 'the second American Revolution,' there is a fair consensus about which events in the affairs of a people can rightly be called revolutions. It is also clear that such revolutions are proper objects of study for the historian.
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People often write after they finish their career, or they don't play anymore, or they are not anymore active. So I say, why do that? And let's do it differently.
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When I used to go to Elvis's house was always a nightmare trying to get into the house because of so many fans outside the gate and he really couldn't go anywhere without sneaking in or doing something because people just wanted to be around him and to be with him.
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I want to move people, stir something within them that makes them feel. That's what a movie should do and an actor should do, make you feel something. I think that's why people love films so much.
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People have to learn who they are - you can't have somebody else telling you who you are.
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Writers are historians, too. It is in literature that the greater truths about a people and their past are found.
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I want people to be drawn into the space of the work. And a lot of people are like me in that they have relatively short attention spans. So I shoot for the window of opportunity.
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A lot of people attack the sea, I make love to it.
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I find that communication as an actor and person is an important part of who I am. And I'm really drawn into the psychology of those dynamics.
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The most beautiful thing in the world is, of course, the world itself.
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I'm always sorry to finish a book, to let go of characters I love, people I've struggled to understand for years, people who evolve before me.
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I'm not a great science fiction fan myself. I probably feel that way about Westerns. Like I used to play Cowboys and Indians, they can act out Will and the Robot.
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I love to cook for people. I equate food with love.
