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I have lots of friends, but I'm probably a terrible friend to all of them, even my family. I wouldn't be surprised if I found myself with no friends later on in life. My friends become my enemies.
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I'm not just going to go back to my bedroom, get a job and 'get real with myself' - come on. I'm already too old, and I'm lucky to have a job at all.
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My career is a burden, but I can't just fade out like a pathetic sore loser. More often than not, I'm just making a fool of myself for the hundredth time, and that wasn't part of the plan, initially. I'd be happier not having any kind of public presence whatsoever and just hiding behind the sleeves of the CD.
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I'm in love with Ariana Grande - she's got a very curious personality; I hear she loves Freddy Krueger, and I love Freddy Krueger, which makes me feel like we'd be perfect for each other.
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From day one, I was already famous in my own head. It didn't take anything to make me feel that way. I know I'm totally not famous. I mean, it just depends on your perspective.
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Ariel Pink never really existed because he was always Ariel Pink's Haunted Graffiti, but then people started doing interviews with Ariel Pink as if Ariel Pink existed.
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My music has always been my solo project.
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When a song blows your mind the first time you hear it, you don't know where it's going. It's blowing your mind as it's unfolding. Then there's that sensation that you're actually going to remember the song.
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I want to stay in some era and remain there like a stupid idiot and see what happens when you try to pause time and not affect it. Not succeed. Not try to think ahead or think behind.
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I always want to be a member in the audience, and I want to hear it from their point of view and see it from their point of view so I can know if it's good. But that's just my issues, not a real problem.
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If somebody ever says something is a mature theme, it's bound to not be. I mean, you shouldn't fall for that. You can make it sound mature, but anything that's about being mature is pretty immature.
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It was not designed for me to be 35 and still doing the same thing. But in another sense, it's like I've had an extended adolescence. It helps that I look young, too.
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I'm so unmaterialistic in every way. If you saw my apartment, it would explain a lot, I think. It's not so much a mess, but it just needs to have some feng shui or a real 'Queer Eye' makeover or whatever.
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You have all these song titles and song time, and you put it in a certain order, and you slap a cover on it. That's a record. That's how I've seen all my records.
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That's one thing I don't think people consider nowadays. They want to believe in the importance of marriage, boil it down to just a signature on a legal document. But that's exactly what it is. If not, why not just get married without one?
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I do enjoy my solo time ... I want to stay home and do soundtracks and watch TV in my underwear with a keyboard on my lap and just be a couch potato.
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I had my gothy phase, but I was never a troublemaker or anything like that.
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All we have is the past, but for people of the future, there's not even going to be a history there. The history of recorded music has turned into a flat fucking screen of an iTunes playlist. I'm preserving something that's going extinct! That's all rock'n'roll has been since day one. It's all necrophilia.
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When making a record, I could done a new face pretty easily and use all these different devices to hide who I am - or who I was - which really had very little to do with what I was trying to convey.
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I always thought, 'I could go the route of saying some controversial things and have it explode, just do it like that. But I don't do that.' But of course, it wasn't really up to me.
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We're all making castles in the sand, wonderful tapestries, an exquisite corpse. But is it meaningful? No. It's dogs barking. It doesn't mean anything beyond our yelping, at the pain of being alive.
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As soon as you start to think of that thing that you want to convey or say, you can always just say it much better than you can actually rhyme it or stuff it into a song. It's very, very difficult to just kind of get your point across without going the back way. And you have to be good at that, to not think about things so hard. Let the pen take over, so that it's somebody else's job to dissect the lyrics and tell you what you're all about.
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I would die to record in space. That would be the coolest. If I got the option of, going into outer space and hanging out there for a day, and then coming back home and dying the next day, or just waiting around to see if there's any opportunity for the technology to develop so that I might experience outer space sometime in the future, I would probably take the ride today and die tomorrow. I'd be happy just hanging out between the moon and the Earth, getting a view.
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The music usually occurs to me as a complete sound, and then I have developed the skill of being able to translate that into a fully realized song.