Ariel Pink Quotes
Quotes to Explore
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Nuclear power plants must be prepared to withstand everything from earthquakes to tsunamis, from fires to floods to acts of terrorism.
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Don't let nobody tell you that you can't do it. Love what you do until you don't love it anymore. Nothing's impossible.
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If you're thin-skinned, you don't belong doing what I do for a living.
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I was probably never going to get to do the kind of things dramatically that I really wanted to do, so I returned to theater from time to time, and to write, and produce. It's by no means sour grapes.
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I feel like, for me, different environments are very important to me creatively. I think it's my norm to be on the move.
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Thoughts without content are empty, intuitions without concepts are blind.
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Love is not the dying moan of a distant violin - it's the triumphant twang of a bedspring.
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I've never been that guy who says, 'Ooh, I have to play King Lear'. First off, that'd be a disaster anyway. I tend to read something and see who's involved, and then know I want to be part of it. But I don't think I'm through with comedy. I still love to make people laugh.
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From each according to his abilities, to each according to his needs.
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There's no regrets for me.
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As an actor, you don't want to play a one-dimensional character.
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As goes California, so goes the rest of the nation.
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On what can we now place our hopes of solving the many riddles which still exist as to the origin and composition of cosmic rays? It must be emphasized here above all that to attain really decisive progress greater funds must be made available.
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I feel like I'm not the greatest general manager in the history of general managers, but I do OK, and I'm learning as I go. I try to just do my best with it.
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I'm on the board of directors for Peace Now, which works tirelessly between the Palestinians and the Israelis to create peace in the Middle East and we've never been closer.
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I came to America to become an architect. And somewhere along the line while I was still in school, I was lured into theater, and that's how I became interested in theater. My first play was something called 'A Banquet for the Moon.' It was a weird play.
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In the summer we graduated we flipped out completely, drinking beer, cruising in our cars and beating up each other. It was a crazy summer. That's when I started to be interested in girls.
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I'm a typical Irishman in that I only get home for weddings and funerals.
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In Australia, I grew up watching 'The Mickey Mouse Club,' my son grew up watching 'Sesame Street,' my grandson's growing up watching 'Dora The Explorer.' So we are sort of saturated with American culture from the day we're born, and to those of those who do have an ear for it, it's second nature.
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My music relies solely on the feeling. Just the feeling.
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Every year on your birthday, you get a chance to start new.
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I had this very strict rule when I began auditioning that I wasn't gonna do a thicker accent, because it was like, 'I can't tell if it's supposed to be funny because he talks funny.' And now I feel like there are certain characters that I could play that could involve doing a thicker accent, as long as it's specific to that character.
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I think we're doing the right things for the right reasons. We're not doing it to sell products. We're not doing it to be popular. We're doing it because in our judgment these stories are important to do, and at this length and this much depth.
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My music has always been my solo project.
