Marc Newson Quotes
Quotes to Explore
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My worry about this exclusive focus on Trump - the personality and how all of this is so unprecedented - is that then the solution seems to be, 'Well, we'll just get rid of Trump.'
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My nursery school did a production of 'The Three Little Pigs.' I played the third pig. When the wolf knocked on my door, I refused to get up and answer it because, to me, he was knocking the wrong way. I just lay there, snoring away on stage, fully immersed in my character. My dad turned to my mom and said: 'Dustin Hoffman.'
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It's actually meditative to sit in a character for an extended period of time, realizing what your relationship is to who you're playing and then letting go, just being there.
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I always felt that my greatest asset was not my physical ability, it was my mental ability.
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I love the idea of animation just because it removes the actor from the character, and you can be anything. I've been devouring 'Adventure Time' and 'Archer.' I'd love to get my hands dirty on either of those shows.
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If you can make a character likable that's not very nice, that's the challenge of the job.
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In Men in Black, it was a very small character, no pun intended.
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The test of character is having the ability to meet challenges.
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I think the Mama people remember is from 'Mama's Family.' She really turned into a pretty cool character. The sketches from the 'Burnett' show, if people are old enough to remember, were written by writers who all hated their mothers.
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I have kind of a personality defect in that I find the word 'no' hard to articulate.
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If I don't love my character, I can't do it.
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'Seize the Story' takes readers all the way through the process of writing fiction, from beginning to end. Every element, from dialogue to setting, plotting to character creation, is laid out and illustrated with examples. But the tone of the book is not that of a dry writing manual - it's definitely written for teenagers.
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I played a character in 'Ransom' who was as evil as they come.
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I've always considered myself a character actor.
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My director is usually aware of what works for me and what doesn't. For 'Srimanthudu,' I have to give full credit to director Koratala Sivagaru for handling my character the way he did.
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The greatest service that can be offered to children who show personality traits or inclinations that might not be understood by the adults around them is to allow them to express their own unique humanity.
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Older women know who they are, and that makes them more beautiful than younger ones. I like to see a face with some character. I want to see lines. I want to see wrinkles.
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I don't believe you can get into somebody's character but more that somebody comes in you. You just use yourself. In everything I play, I feel like it is me. I just say different things on different times and look different.
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To try to create a character without a whole lot of information can be taxing. At the same time, it's fun to just stay on your toes and let the next bit of dialogue come in, and turn the page as you read the next script and see what they have in store for you next.
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Sometimes I'll ask the book writer to write a monologue, not to be performed, just as if they were notes for the character.
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I think it's part of my personality, to find sex really interesting. Not just in the puerile way of, "Oh I want to go and have some sex". It's fascinating, there's an entire realm of human activity that's important and literally vital to our survival and yet we've vilified it. That's one of the reasons that religious station is so fascinating to me.
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Ballet is the fairies' baseball.
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Intent and service-that is my motto.
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You know like it has its own personality, its own character.
