Marc Platt Quotes
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That's what makes live TV exciting - the unknown!
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One of the secrets of 'A Christmas Story' is that it's a relatable story. They feel like our family.
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I want my projects to be great, of course. The talent has to come from a diverse pool. Because that's the world we live in.
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I'm lucky that I get to do the bigger movies and the smaller movies.
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The theme of 'A Christmas Story' is that you can count on Christmas - that everybody has a Christmas story. Everybody has that time in the holiday season that they remember.
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As much as I love storytelling, I've always been drawn to talent.
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Producers should have the courage of their convictions. See your project through to its fruition. Seek help and be generous enough to take on collaborators and not be territorial as you're learning.
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When a writer gets a second chance to look back on something, it's a great opportunity to say, 'Hey, this is really good, but we can do it even better.'
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I have a certain kind of a taste for what will make a good movie or a good play or theater.
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There were 100 intellectual reasons not to pursue 'Wicked.' There were times where it was very challenging, where the mind said, 'This is maybe too challenging,' but the heart willed it. The heart willed it to succeed.
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The further you get up the corporate ladder, the farther you get from the actual filmmaking process.
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Even in a manuscript form, 'The Girl on the Train' sort of leapt off the pages as a contemporary suspense drama-slash-thriller. It has all the mechanics of a thriller, but at the heart of it was a great character study.
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I loved being a film executive. But something was always missing for me. I always had the feeling that I was looking over my shoulder - what's going on on Broadway?
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When I first started in the business, it was hardly ever done. But today, it almost feels like studios go out and preview movies knowing full well that they're going to use the information they get to go back and reshoot.
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One of my skills is knowing, 'This is where I'm needed, and this is how I'm needed and where I'm going to be in control and where I'm going to cede control and why.'
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I have creative ADD.
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I don't think anyone can ever predict a phenomenon. It's not something you can bank on.
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I was always interested in storytelling, particularly in theater and film. I liked creative things. My mom and dad are wonderful people, but both are tone deaf, so I don't know where the gene came from.
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Navigating the studio system has its own challenges, and, as a producer, you want to be astute and clever.