Edward G. Bulwer-Lytton Quotes
Quotes to Explore
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I've always been attracted to women who are assertive and have confidence - qualities older women possess. They've been on the Earth a little longer. They're more seasoned. They don't play games. They know what they want, and they're not afraid to tell you.
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I have definitely worked on that... being efficient and also being smarter with my pressure.
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It's a funny thing about rap, that when you say 'I' into the microphone, it's like a public confession. It's very strange.
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Everything begins with an idea.
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I will be conquered; I will not capitulate.
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If I have a 100 percent batting average, you should fire me, because it means we haven't tried anything really noble.
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I find the whole situation of confronting an audience terrifying.
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Gregory Lee Johnson was an idiot.
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I don't really have a main source for my style inspiration. It's really about however I feel about myself at the moment.
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Education is at the heart of achieving your dreams.
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I've always felt that the obligation of teachers is to have a huge, broad overview and to provide a foundation course to the students. The long view of history is absolutely crucial.
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It's sort of like, our bodies are designed to keep moving, and when we don't move it, we're not going to feel great.
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When Orientals are attacked, they don't hit back.
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I invented animals and birds – I had about two dozen. After working on them for six months, I sat down and just for fun wrote two dozen poems to accompany the drawings. It was for no one to every see, but a friend sent me in to an editor.
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Public appearances are a headache. I hold mine down to a minimum.
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I know something quite sure. We'll never have peace with this Syrian regime. They'll never give us relief, and we'll never forget that.
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I would like to be a polyglot.
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The bigger we get, I think the more it's changing things, which is great, but we didn't set out to do that. We just wanted to be as big as we possibly could be.
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Ooooh, I love Nashville! It seems like everywhere you walk, there's great music coming out of every wall.
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I don't think you learn how to act. You learn how to use your emotions and feelings.
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Let us make an arbitrary decision (by a show of hands if necessary) to define the base of every stratigraphical unit in a selected section. This may be called the "Principle of the Golden Spike." Then stratigraphical nomenclature can be forgotten and we can get on with the real work of stratigraphy, which is correlation and interpretation.
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The truth is, we haven't really figured out yet how artists are going to thrive in modern mass societies. We're all experiments.
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Art and science have their meeting point in method.
